Instruction
Stickney: Plane shifts used by the pros

One of the most perplexing aspects of golf for the average player is how the club should transition. In fact, the “over the top” motion is what keeps all of the teaching professionals in business! On Tour, you see many different ways to move the club on the way down and Homer Kelley, in his book, The Golfing Machine, identified seven different ways to transition the club. In this article, we’ll only discuss a few of them.
The first two shifts we’ll examine are the extremes of up and around.
Up and Under
This swing model is made famous by Jim Furyk and obviously there are many levels of up and under but the basic idea is to lift the club to the top which gives you more room to “drop it under” on the way down. Some people love this feeling and it is quite simple when practiced a time or two.
You will notice a takeaway that is slightly lifted and outside moving the arms into a more upright position at the top. From there the arms fall down and behind the player allowing the club to be delivered from the inside.
Around and Under
The opposite player of the Up and Under player takes the club more around the body into a short, flat, and tight position like Matt Kucher. It is here that some players feel that it is much simpler to come from the inside when the club is in a lower and more rounded position at the top.
This swing model is exemplified with a takeaway that works around the body off the start and continues all the way to the top placing the club in a “flatter” condition. From there the club basically returns from the inside as a slight shift is made to the inside. Some players feel this is the easiest way to move the club to the inside.
Now that we have covered the two extreme positions of Up and Around, the rest of the world is somewhere in the middle of these two positions. Personally, it does not matter where you play from as long as the club moves into a solid position on the way down.
Let’s discuss the middle positions and how to transition the club from there…
Reverse Shift
The Reverse Shift is shown best by Nick Faldo back in his hey-day. The club is taken to the top and the entire triangle formed by the arms is shifted rearward to begin the downswing thus moving the club into an inside delivery position.
When the entire triangle falls rearward it allows the club to flatten and the club to move from the inside. Transitional tempo is the key to this move because it won’t work if you get too fast.
Flatten the Shaft
Most of the players today on Tour are subscribing to this type of plane shift as the club shaft flattens out behind the player allowing the hands to move down the correct path. If the hands get too far behind the player then the path can easily shift too rightward in the above swing pattern but not with this swing model.
Here you can see that the club shaft flattened and the clubhead fell behind my hands lowering the center of mass and this places the club in an inside delivery position with the hands in the correct position at belt-high. This is a great way to transition the club for people who tend to get “stuck” on the way down.
So now that we’ve seen the most common plane shift models that move the club back to the inside which one is the best or the easiest? Basically, the one that makes the most sense to you as a player. One of these styles will feel “easier” than the other ones and allow you to shift your swing path more rightward during impact so you can move the ball right to left easier (for the right-handed player).
Enjoy trying these shifts and remember that all four can work for you at any given time!
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Instruction
The Wedge Guy: My top 5 practice tips

While there are many golfers who barely know where the practice (I don’t like calling it a “driving”) range is located, there are many who find it a place of adventure, discovery and fun. I’m in the latter group, which could be accented by the fact that I make my living in this industry. But then, I’ve always been a “ball beater,” since I was a kid, but now I approach my practice sessions with more purpose and excitement. There’s no question that practice is the key to improvement in anything, so today’s topic is on making practice as much fun as playing.
As long as I can remember, I’ve loved the range, and always embrace the challenge of learning new ways to make a golf ball do what I would like it to do. So, today I’m sharing my “top 5” tips for making practice fun and productive.
- Have a mission/goal/objective. Whether it is a practice range session or practice time on the course, make sure you have a clearly defined objective…how else will you know how you’re doing? It might be to work on iron trajectory, or finding out why you’ve developed a push with your driver. Could be to learn how to hit a little softer lob shot or a knockdown pitch. But practice with a purpose …always.
- Don’t just “do”…observe. There are two elements of learning something new. The first is to figure out what it is you need to change. Then you work toward that solution. If your practice session is to address that push with the driver, hit a few shots to start out, and rather than try to fix it, make those first few your “lab rats”. Focus on what your swing is doing. Do you feel anything different? Check your alignment carefully, and your ball position. After each shot, step away and process what you think you felt during the swing.
- Make it real. To just rake ball after ball in front of you and pound away is marginally valuable at best. To make practice productive, step away from your hitting station after each shot, rake another ball to the hitting area, then approach the shot as if it was a real one on the course. Pick a target line from behind the ball, meticulously step into your set-up position, take your grip, process your one swing thought and hit it. Then evaluate how you did, based on the shot result and how it felt.
- Challenge yourself. One of my favorite on-course practice games is to spend a few minutes around each green after I’ve played the hole, tossing three balls into various positions in an area off the green. I don’t let myself go to the next tee until I put all three within three feet of the hole. If I don’t, I toss them to another area and do it again. You can do the same thing on the range. Define a challenge and a limited number of shots to achieve it.
- Don’t get in a groove. I was privileged enough to watch Harvey Penick give Tom Kite a golf lesson one day, and was struck by the fact that he would not let Tom hit more than five to six shots in a row with the same club. Tom would hit a few 5-irons, and Mr. Penick would say, “hit the 8”, then “hit the driver.” He changed it up so that Tom would not just find a groove. That paved the way for real learning, Mr. Penick told me.
My “bonus” tip addresses the difference between practicing on the course and keeping a real score. Don’t do both. A practice session is just that. On-course practice is hugely beneficial, and it’s best done by yourself, and at a casual pace. Playing three or four holes in an hour or so, taking time to hit real shots into and around the greens, will do more for your scoring skills than the same amount of range time.
So there you have my five practice tips. I’m sure I could come up with more, but then we always have more time, right?
More from the Wedge Guy
- The Wedge Guy: Anyone can be a better wedge player by doing these simple things
- Wedge Guy: There’s no logic to iron fitting
- The Wedge Guy: Mind the gap
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Instruction
The Wedge Guy: Anyone can be a better wedge player by doing these simple things

As someone who has observed rank-and-file recreational golfers for most of my life – over 50 years of it, anyway – I have always been baffled by why so many mid- to high-handicap golfers throw away so many strokes in prime scoring range.
For this purpose, let’s define “prime scoring range” as the distance when you have something less than a full-swing wedge shot ahead of you. Depending on your strength profile, that could be as far as 70 to 80 yards or as close as 30 to 40 yards. But regardless of whether you are trying to break par or 100, your ability to get the ball on the green and close enough to the hole for a one-putt at least some of the time will likely be one of the biggest factors in determining your score for the day.
All too often, I observe golfers hit two or even three wedge shots from prime scoring range before they are on the green — and all too often I see short-range pitch shots leave the golfer with little to no chance of making the putt.
This makes no sense, as attaining a level of reasonable proficiency from short range is not a matter of strength profile at all. But it does take a commitment to learning how to make a repeating and reliable half-swing and doing that repeatedly and consistently absolutely requires you to learn the basic fundamentals of how the body has to move the club back and through the impact zone.
So, let’s get down to the basics to see if I can shed some light on these ultra-important scoring shots.
- Your grip has to be correct. For the club to move back and through correctly, your grip on the club simply must be fundamentally sound. The club is held primarily in the last three fingers of the upper hand, and the middle two fingers of the lower hand. Period. The lower hand has to be “passive” to the upper hand, or the mini-swing will become a quick jab at the ball. For any shot, but particularly these short ones, that sound grip is essential for the club to move through impact properly and repeatedly.
- Your posture has to be correct. This means your body is open to the target, feet closer together than even a three-quarter swing, and the ball positioned slightly back of center.
- Your weight should be distributed about 70 percent on your lead foot and stay there through the mini-swing.
- Your hands should be “low” in that your lead arm is hanging naturally from your shoulder, not extended out toward the ball and not too close to the body to allow a smooth turn away and through. Gripping down on the club is helpful, as it gets you “closer to your work.
- This shot is hit with a good rotation of the body, not a “flip” or “jab” with the hands. Controlling these shots with your body core rotation and leading the swing with your body core and lead side will almost ensure proper contact. To hit crisp pitch shots, the hands have to lead the clubhead through impact.
- A great drill for this is to grip your wedge with an alignment rod next to the grip and extending up past your torso. With this in place, you simply have to rotate your body core through the shot, as the rod will hit your lead side and prevent you from flipping the clubhead at the ball. It doesn’t take but a few practice swings with this drill to give you an “ah ha” moment about how wedge shots are played.
- And finally, understand that YOU CANNOT HIT UP ON A GOLF BALL. The ball is sitting on the ground so the clubhead has to be moving down and through impact. I think one of the best ways to think of this is to remember this club is “a wedge.” So, your simple objective is to wedge the club between the ball and the ground. The loft of the wedge WILL make the ball go up, and the bounce of the sole of the wedge will prevent the club from digging.
So, why is mastering the simple pitch shot so important? Because my bet is that if you count up the strokes in your last round of golf, you’ll likely see that you left several shots out there by…
- Either hitting another wedge shot or chip after having one of these mid-range pitch shots, or
- You did not get the mid-range shot close enough to even have a chance at a makeable putt.
If you will spend even an hour on the range or course with that alignment rod and follow these tips, your scoring average will improve a ton, and getting better with these pitch shots will improve your overall ball striking as well.
More from the Wedge Guy
- Wedge Guy: There’s no logic to iron fitting
- The Wedge Guy: Understanding iron designs, Part 1
- The Wedge Guy: Understanding iron designs, Part 2
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Instruction
Clement: Don’t overlook this if you want to find the center of the face

It is just crazy how golfers are literally beside themselves when they are placed in a properly aligned set up! They feel they can’t swing or function! We take a dive into why this is and it has to do with how the eyes are set up in the human skull!
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geohogan
Jul 17, 2019 at 4:45 pm
Hitting with the hands is much too timing dependent
…however it is only by controlling our dominant hand
can we consistently control the plan shifts.
it has been said, wisely; that the hands are our external brain.
Our entire physiology supports the intention we have of our hands
and dominant hand in particular.
geohogan
Jul 7, 2019 at 8:43 pm
Only from P6 achieved by Sergio Garcia or Ben Hogan, with clubhead far behind not only the hands but behind our body.
is it possible, to square the clubface by rotation of the torso…. with no release.of the hands.
Then and only then impact becomes: SIDE ON
geohogan
Jul 8, 2019 at 1:57 pm
Another P6 trait shared by Ben Hogan and Sergio Garcia
is to have butt of club pointing at the ball, at P6. ie when club shaft is parallel to the ground in DS.
Cant get stuck if we wait “delayed the hit”, for body turn to square
the club head.
Hitting with hands is much too timing dependent.