Opinion & Analysis
Weaning Wie — It’s time to let her go
By Zak Kozuchowski
GolfWRX Managing Editor
Jim Nantz called it “a win for the ages.” A 21-year-old Tiger Woods blew away the 1997 Masters field by 12 shots with a record-setting score of 18-under par. After sinking his final putt, Tiger walked off the green and shared a hug for the ages with his late father, Earl Woods.
No matter what you feel about Woods, it’s hard not to appreciate that moment. With his first Masters win, he changed golf forever. He made the game cool, bringing to golf countless athletes of all races who otherwise may have never thought to pick up a golf club. And with him every step of the way – molding his mental toughness, supporting him through the pressures of his superstar status, was Earl.
Michelle Wie shared a similar journey as Woods in her junior career. At age 10, she qualified for the U.S. Women’s Amateur Public Links Championship, becoming the youngest-ever female golfer to do so. In 2003 at the age of 13, Wie become the youngest player to make an LPGA cut at the Kraft Nabisco Championship.
Her talent earned her a sponsor’s exemption to the PGA Tour’s Sony Open in 2005, where she fired a second-round 68 to miss the cut by a single shot. At 14, it was assumed that Wie would not only dominate the LPGA Tour as Woods did the PGA Tour, but that her prodigious length might allow her to be competitive on the PGA Tour as well.
Wie turned professional at age 16, and like Woods, signed a lucrative endorsement contract with Nike. Just as Woods, she also attended Stanford University, although her professional status kept her from competing in collegiate golf. But that is where the similarities between Woods and Wie end.
Now 23, Wie has been a major disappointment on the LPGA Tour. She has won only two tournaments and is still without a major title. Her run at PGA Tour events was questioned after her poor play at the 2007 Sony Open, where she missed the cut by 14 shots.
Since that time, the spotlight on the LPGA Tour has shifted from Wie to several other young talents, who are accomplishing feats that were expected of Wie.
Last year, Lexi Thompson became the youngest LPGA Tour player to win an event at the age of 16 (Wie wasn’t an LPGA Tour winner until the age of 20). Morgan Pressel became the youngest winner of an LPGA Tour major at the 2007 Kraft Nabisco Championship at the age of 18, and Yani Tseng, who is a few months younger than Wie, already has five LPGA major titles and 10 other wins on the LPGA Tour.
There is plenty to criticize about Wie’s game, especially a lack of confidence with the putter. She has experimented with a belly putter, changing the way she holds the putter several times, once famously in the middle of a competitive round.
But the most easily criticized part of her game, however, is the lack of separation between Wie and her parents. Unlike the relationship between Woods and his father, a bond which was thought to be an important part of Woods’ success, Wie’s relationship with her father B.J. has been seen as a hindrance.
Wie has had enormous setbacks in her career. Early on, there were her ill-advised attempts to compete on the PGA Tour, an experiment that resulted in 11 out of 12 missed cuts (her one made cut occurred at a low-level Japan Golf Tour event). She has also suffered through multiple wrist injuries, and a dubious withdraw after 16 holes from the Ginn Tribute in 2007 where she was in jeopardy of losing LPGA Tour playing privileges for that year as she approached a round of 88.
It’s hard to say what exactly has derailed Wie’s career so far. By accepting sponsor’s exemptions to PGA Tour events, and only playing in the LPGA Tour’s largest events at a young age, she was rarely in a position to succeed. In his youth, Tiger Woods only played in events that he thought he could win. Wie, however, was placed in situations where making the cut was an accomplishment.
Despite Wie’s talents, she is not in the top 5 of any of the LPGA Tour’s statistical categories. While she’s currently ranked ninth in driving distance, she is ranked outside the top 100 in every other category with the exception of GIR (86th) and sand saves (97th). She’s currently 41st in the LPGA Rolex Rankings and on the bubble to qualify for the U.S. Solheim Cup team.
As Bobby Jones said, “Golf is mostly played on a six-inch course, the space between your ears.” For Wie, the most important course may be creating more than a 6-foot space from her parents.
It is said that a watched pot never boils. Likewise, an over-analyzed golfer rarely reaches his or her full potential. Wie graduated from Stanford last spring, and is at the time of her career where most LPGA Tour stars are expected to flourish. But because of Wie’s early success, it feels as though she is on the downside of her career. But she doesn’t have to be.
After a tough round, all golfers need a little breathing room. It gives them a chance to reflect and move forward. Since Wie first attracted the world’s spotlight, I doubt she has ever had any breathing room. And as the pictures from last week’s Evian Masters show, she certainly doesn’t have any now. Maybe it’s time she’s given some, especially by those closest to her.
Click here for more discussion in the “Tour talk” forum.
You can follow Zak on Twitter @ZakKoz and GolfWRX @GolfWRX
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.
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Ron
Dec 28, 2012 at 4:03 pm
Her parents and Nike ruined her, trying to compete with men, forcing her to over swing to try to meet the men in driving, which is impossible.
She is now so screwed up she rarely hits even par.
Dave
Nov 13, 2012 at 12:15 am
Michelle Wie would probably play better golf if her parents would stay at home. They create too much pressure for her. I’ve worked 7 LPGA tournaments that she has competed in and her parents walk every hole with her. He watches with binoculars and makes notes. They are both on the practise putting green with her before tournamets while the other girls might have a caddie with them but usually by themselves. They smother her.
The other girls talk about her and have been heard calling her queenie.
At the Ochoa Invitational last week, of the 36 girls playing there were 10 girls Michelle’s age or younger and they’re not in the same situation. The parents should give her some space and let her breathe.
Yo!
Sep 1, 2012 at 12:30 am
I’d say she’s doing pretty well … A big contract fron Nike and no pressure to succeed. She’s already rich at her age and she is still very young. Also, what do you guys know about her relationship with her parents while looking at things from left field?
kurt andrews
Aug 23, 2012 at 9:48 pm
Has anyone given any thought to the fact that maybe Michelle Wie wants her parents to travel with her?
Phil
Aug 14, 2012 at 2:40 pm
I wonder if her Dad would like to know what I’d like to do with and to her?
ed williams
Aug 14, 2012 at 6:27 am
My wife and I go to a few LPGA tourneys every year..Her parents follow her around like wolves..We’ve seen recently where she has snapped at them during the practice rounds..The father follows her around the course..Always 3 or 4 paces behind her..Her Mom stays on the cart path but always even with Michelle when she’s hitting..You can see Michelle trying to ignore them..Look at how well Michelle played at the Solheim a couple of years back when parents weren’t allowed to be with the players..There is definitely a major problem there..She is so unhappy with them around..You can see it on her face..
steve76t
Aug 14, 2012 at 1:26 am
I totally agree with this article. Its been a couple years now, but I followed Michelle’s group at the Reno Tahoe Open a couple years ago. Here mom wasn’t too big an issue as she’d watch from a distance. Most of the time she’d be a half hole head of her. Watched the tee shots from 300 yrds down the fairway or be greenside on the par 3’s. Her dad on the otherhand was never more than 10yrds from Michelle. Even worse, in my opinion, was that Michelle’s dad had a comment for EVERY shot she made. Good or bad. Turned the ball over a little too much & dad would say something like ‘you were a little too flat on that swing’… or on a good shot you’d hear him say something like ‘nice shot! you’ll need to cut it a little more on the next tee’.
Dad is the one who needs to back off from what I saw. Maybe he could watch from half a hole away like mom did at the RTO? Problem is that I doubt that pops really wants any distance & he’s probably convinced himself that he’s her best influence in her quest to get better. Won’t know until he actually does back off and let her go…
doug bear
Aug 13, 2012 at 11:34 pm
seriously…. are you asians out there sayiny you are the only ones with parental tendecies. How racist or immature can you be ?
doug bear
Aug 13, 2012 at 11:31 pm
Please let her go…. like out of u.s.a. She is nothing but a baby and will always be a baby. If not given a silver spoon by Nike I am sure she would have been a democratic tax taker.
Devin
Aug 13, 2012 at 10:23 pm
Slim and Ben have it right. Passion is all that is lacking from Michelle’s career – play golf on her own terms. S isn’t wrong either…I have a keen understanding of Korean culture, and there’s certainly a desire there to protect and nurture.
What is needed to take Michelle to the next level is a head coach, and certainly some space from the parents (no disrespect meant at all to Mr & Mrs Wie). Michelle is a world-class golfer waiting to happen, but her head isn’t in it…YET. When it gets there, she’ll dominate. I look forward to seeing it happen.
cltambo
Aug 10, 2012 at 10:39 am
You can have all the physical talent in the world, which she does, but you also have to have the desire and mental capacity. Just listen to the different in the interviews between Michelle Wie and Lexi Thompson. Michelle sounds like a teenage girl playing golf for a living and Lexi sounds like a professional golfer.
Slim
Aug 9, 2012 at 7:30 pm
I question Michelle’s desire. She may have become bored with the game, and she is already wealthy. She loved her time in college, which was probably pretty normal. It seems to me she’s lost her passion for the game.
Ben
Aug 4, 2012 at 3:51 am
There is a lot of truth in this article. The comment that an over-analyzed golfer rarely reaches his or her potential. She has taken a lot of criticism from the media which in my opinion has really taken a toll on her mentally and it has leaked a lot into her golf game. I think she needs to cut all her coaches and just play golf on her own terms, how she thinks it should be played.
Troy Vayanos
Aug 3, 2012 at 11:21 pm
Nice post Zak,
Yes I agree she needs some space to grow and let her natural talent flourish. It’s like everywhere she goes there is someone in her ear telling her what to do.
A little bit of space and time to herself could be just the tonic to see her golf really take off.
Donald
Aug 3, 2012 at 8:20 pm
She needs to get away from David Ledbetter too. Learn how to just play and not be so mechanical. She’s to talented.
S
Aug 3, 2012 at 2:15 pm
As I am asian and parents, I understand where her parents come from. They try to protect her and try to helpher in good intention. However, I do believe after high school age, kids need to start taking responsibilities, protecting themself and having own idea and actions.They may make mistakes, but that is ok which make them stronger person. It is not too late for her parents to let her go little. but mentaly they need to be there for her when she really needs help.
Bill Miller
Aug 3, 2012 at 9:27 am
It should be obvious to anyone with a functioning brain that her parents haven’t a clue about nurturing a young talent. And I don’t think they are doing it for her either. It’s all about them.
They’ve pretty much ruined that young lady. I seriously doubt she will ever amount to much now.
Patrick
Aug 3, 2012 at 6:22 am
Completely agree. She’s not 12 years old anymore, she’s a grown woman and it’s time the parents let her live her life and get their own.