By Brant Brice
With over an inch of rainfall on Wednesday, and the annual par three competition a partial washout, Thursday’s forecast wasn’t much better.
Although rain threatened to stall the opening round of the 2012 Masters, the entire field was able to complete Round 1 without delay with only mild sprinkles. Apparently even Mother Nature plays hooky to catch a few holes at picturesque Augusta National.
To be cliché, tournament cannot be won on day one but surely can be lost. On a windless sunny day where birdies would abound on any other course, Augusta National proved that its uneven fairways and near perfect lightening fast greens can end many challenger’s dreams right out of the gate.
All with rounds at five over par or worse, today’s victims included Trevor Immelman (+6), Johnson Wagner (+7) , player’s champion K.J. Choi (+5), and Chez Reavie (+7); surprisingly, long hitters Alvaro Quiros (+6) and Robert Garrigus (+5) failed to score in conditions that make Augusta National play far longer than course setup and typically favor the long ball.
The majority of the field finished somewhere between three-over and one-under including notables such as last week’s winner Hunter Mahan (E), Rickie Fowler (+1), Sergio Garcia (E), Steve Stricker (-1), Aaron Baddeley (-1) and Graeme McDowell (+3.)
World No. 1 Luke Donald finished at three-over with six bogeys against three birdies. The wet conditions are a beast for shorter hitters like Donald.
Former Masters champion and crowd favorite Fred Couples finished with a great “up and down” at No. 18 to end his day at even par.
With a lost-ball triple-bogey seven on the 10th hole, Phil Mickelson scrambled his way to a surprising two-over par. His drives found him in many of the most beautiful parts of the course not often seen by television coverage.
Tiger Woods, this year’s odds on favorite to win, finished at even par. When interviewed after his round, he said he got all he could get out of his round. He conceded he was still fighting his swing of old and had some work to do on the range.
Henrik Stenson had the best round of the day at five-under going into the finishing hole. Eight shots later found him in the clubhouse with a one-under 71.
Defending Masters champion Charl Schwartzel completed his opening round defense at even par, still firmly in the hunt.
Rory McIlroy also finished with a birdie to complete his first round at one under par.
The round of the day belonged to the Lee Westwood, considered the best golfer without a major championship victory on his resume. He played an aggressive round of five-under 67 occurring on a day when two or three under should have taken the lead.
There are 12 golfers within three strokes of the lead including the likes of Bubba Watson (-3), Jason Dufner (-3), Louis Oosthuizen (-4), Jim Furyk (-2), Zack Johnson (-2) and golf boy Ben Crane (-3.)
All things considered, the big winner is once again Augusta National. It showed that well designed holes, uneven fairway lies and speedy greens strike fear in even the best of the best professional golfers.
The good news for everyone in the field is that they all have to play the same course tomorrow. It won’t get any easier nor will low scores be the norm. One good round could make up for two, even three mediocre loops around Augusta National.
Can young McIlroy currently in the clubhouse at one under 71 make up for his 2011 final round collapse? Will Tiger win his second tournament this year to win his 15th major and inch closer to Jack record 18 major championship wins? Can perennial top finisher Lee Westwood lose the title of best pro golfer without a major championship and finally win the big one? Will any of the big four be at the top after the back nine at Augusta on Sunday?
I for one will be “cough, cough” missing a few days of work and take it all in as the 2012 Masters plays out in typical dramatic style that is unlike no other!
It wouldn’t be appropriate to wrap of day one without mentioning the opening ceremonial drives. Arnold Palmer, Gary Player and Jack Nicklaus were this year’s honorees.
What will stick in my mind won’t be the scowl of Jack after his drive or the incredibly youthful appearance of the 76-year-old Gary Player. It’s was the smile of Arnold Palmer after his drive. It was electrifying and reminds me why Mr. Palmer was and is so beloved. It’s impossible to quantify his contributions to the game of golf and to The Masters.
The difference between “ugly” and “unorthodox” golf swings
I’d like you pretend for a moment that you were asked to name the five ugliest golf swings by players who had won a major championship. Who would you select, and what criteria would you use to make that judgment? You might say you’re not sure, but you would have no difficulty identifying an ugly swing if you were to see one, right? The question is, what factors would move you toward that decision?
I struggled with this exact question when it was posed to me and others who were members of Golf Magazine’s “Top 100” panel at the time. In making my decision, I was concerned that I did not confuse UNORTHODOX with UGLY. The fact is that some of the greatest golfers throughout history have been considered to have had unorthodox swings.
- The word “unorthodox” is defined as that which is contrary to what is usual, traditional or generally accepted.
- The word “ugly” is defined as that which is unpleasant or repulsive in appearance.
In comparing the two definitions, they are clearly quite different. The word “unorthodox” suggests something that is different from the norm, while the word “ugly” relates to the appearance of an object regardless of its status. The problem with labeling any golf swing as unorthodox is that the definition of that condition varies with time. What was once considered to be unorthodox may later be considered perfectly acceptable, and we’ve seen this happen over and over again in golf instruction.
Case No. 1
It was considered unorthodox when Harry Vardon moved his thumbs toward the top of the shaft and placed the little finger of his right hand over his left forefinger knuckle. The standard grip in his era featured both thumbs to the sides of the shaft. The club was held more in the palms of both hands and with all ten fingers, rather than more diagonally through the palm as in Vardon’s Grip. As Vardon began to win, however, his competitors copied his grip. What once was considered unorthodox became orthodox.
Case No. 2
Hogan and Nicklaus were paired together in the final round of the 1957 U.S. Open at Cherry Hills. The dichotomy between their backswings couldn’t have been more evident. This was due to the way in which they utilized their right elbows in the backswing. Nicklaus allowed his right elbow to work up and away, pointing more outward at the top. Hogan’s right elbow was closer to his body and pointed more downward.
At the time, Hogan’s backswing was considered orthodox while Nicklaus’ swing was considered unorthodox. As Hogan faded from the winner’s circle and Nicklaus began to emerge, what was once thought to be unorthodox later came to be considered orthodox.
There are some swings that most observers would agree are both unorthodox and ugly. For example, most observers would say that Jim Furyk’s swing is not pretty — they might even go so far as to categorize it as ugly. This is despite the face that Furyk has had an outstanding career and has a U.S. Open victory to his credit. What is it that observers find so offense in his swing? The answer is the differential in planes between the backswing and the downswing, or what might be referred to as a “loop” in his swing.
In Furyk’s case, the club is taken well outside what might be considered the traditional backswing plane. Then it is looped well to the inside and back into position on the downswing. This is is a perfectly acceptable way to play golf, which is evidenced by the size of his bank account and the number of trophies on his mantle. As you might surmise, because of his golf swing, Furyk has not been asked to write any full-swing instruction books.
The problem is that, in the eyes of the observer, the combination of the two distinctly different planes gives a disjoined appearance to the swing. Does it follow then that the variance in the backswing and downswing is the primary factor in determining if a swing qualifies as being ugly? The problem with reaching that conclusion is that it doesn’t hold up to comparison with other players who employ a similar pattern… beginning with Freddy Couples. He begins his swing by lifting his arms well outside the traditional plane line. With a delayed turn of his torso, he then brings the club back into a more traditional plane at the top.
In the case of both Couples and Furyk, their backswings operate well outside the traditional plane line with both players “looping” the club back into position prior to impact. And yet Couples’ swing is universally admired, while Furyk’s swing is in some quarters ridiculed. This begs the question of why Couples’ “looping” swing motion is considered more acceptable than Furyk’s. The answer to that question is two-fold.
- Furyk’s loop is created ostensibly by a change in plane with the arms and the hands, giving the swing a frenetic appearance.
- Couples’ loop is created with a graceful turn of his body with the arms following in perfect harmony.
And so, when taking the swings of Couples and other “loopers” into consideration, it would seem that the dramatic change in plane between the backswing and the downswing in and of itself does not warrant the classification of ugly.
Author Footnote: A point worth considering as part of this discussion is that there have been other accomplished players throughout the history of the game whose backswings have operated on the same principles as Couples. This would include perennial Champion’s Tour winners Kenny Perry, and earlier Jay Haas, whose swings were generally admired despite their unorthodox approach to the backswing.
What does this all mean? First, while a loop in the golf swing may be unorthodox, is not necessary considered ugly provided that the club is routed into plane with the turn of the body rather than just the arms and the hands. Second, as stated earlier, the definition of unorthodox can and does change depending on the era. And third, an unorthodox swing is not necessarily ugly. The two classifications are very different.
As you evaluate golf swings, remember this adage; an unorthodox swing is not necessarily ugly, but an ugly swing is always unorthodox.
TG2: Should Tiger Woods play in The Masters without a driver?
Tiger Woods’ No. 1 concern heading into the Masters is the driver, according to Notah Begay. Equipment expert Brian Knudson and Editor Andrew Tursky argue whether Tiger should even use a driver during the Masters. Also, they discuss Rory’s new prototype putter and how it was made, and they talk about a new shaft company called “LA Golf Shafts.”
Listen to the full podcast on SoundCloud below, or click here to listen on iTunes!
For more info on the topics, check out the links below.
- Rory’s putter: www.golfwrx.com/503976/rory-mcilr…rmade-soto-proto/
- Tiger’s driver: www.golfwrx.com/503940/tiger-wood…irms-notah-begay/
- LA Golf Shafts: www.golfwrx.com/503818/la-golf-pa…s-la-golf-shafts/
Book Review: The Life and Times of Donald Ross
The Life and Times of Donald Ross is a successful golf history, in that it holds one’s attention, regardless of one’s level of enthusiasm or interest for the subject. It can hardly avoid doing so, as it traces the life of a man who lived through both world wars, emigrated from the old country to the new, and championed a sport that grew from infancy to maturity in the USA, during his earthly run. The loss of two wives to uncontrollable circumstances, the raising of a child essentially on his own, and the commitment to the growth of golf as an industry add to the complexity of the life of Donald J. Ross Jr. Within the cover of this tome, through words and images, the life and times of the man are communicated in fine fashion.
The book was published in 2016, by Chris Buie of Southern Pines, North Carolina. Buie is not a professional writer in the traditional sense. He does not solicit contracts for books, but instead, writes from a place of passion and enthusiasm. This is not to say that he is not a writer of professional quality. Instead, it isolates him among those who turn out high-level prose, scholarly research, with attention-holding results.
Before I opened the book, it was the cover that held my attention for much longer than a single, fleeting moment. The solitary figure, staring out across the ocean. Was he gazing toward the Americas, or toward his birthplace, in Scotland? And that blend of blue shades, like something out of Picasso’s 1901-1904 period of monochromatic azures, proved to be equal parts calming and evocative. Those years, by the way, correlate with the 29th to the 32nd years of Ross’ life. During that period, Ross lost a brother (John) to injuries suffered in the Boer War, and married his first wife, Janet. With care like that for the cover art, what marvelous research awaited within the binding?
After a number of readings, I’m uncertain as to the greater value of the words or the pictures. Perhaps it’s the codependency of one on the other that leads to the success of the effort. The book is the culmination of 5 months of exhaustive research, followed by 7 months of intense writing, on Buie’s part. The author made up his mind to match as many images as possible with his descriptors, so as to create both visual and lexical collections to stand time’s test. Maps, paintings, photos, newspaper clippings, postcards, etchings and course routes were collected and reproduced within the covers. Throughout the process, so much of Ross’s life and craft, previously unrecognized in publication, were revealed to Buie. Ross’s ability to make the unnatural look natural when necessary, is hardly equaled in the annals of golf course architecture. According to Buie,
Growing up all I’d heard was natural. Certainly he incorporated as much of the existing terrain and environment as possible. But given how much other work went into the courses, it would be more accurate to say his courses were naturalistic.
Buie also scrapes away at the misplaced notion that Ross was a one-dimensional golf course architect. After all, what else did Shakespeare do besides write plays and sonnets? Well, Ross did so much more, in addition to building some of the world’s great member and tournament golf courses, shaping the Pinehurst Resort experience, and running an in-town hotel in the process. Again, Buie comments,
His greatest contribution was the role he played in the overall establishment of the game in the United States. He was involved in every aspect (caddymaster, greenkeeper, teacher, player, mentor, tournaments, clubmaking, management, etc). The theme that went through his efforts was that he was adamant all be done “the right way”. Given the breadth and enduring nature of his efforts I don’t think anyone else did more to establish the game in America. That makes him the “Grand Old Man of the American Game” – not just a prolific architect.
What was it about Ross, that separated him from the many compatriots who journeyed from Scotland to the USA? They were content to compete and run golf clubs, but Ross sought so much more. His early years involved much successful competition, including top-10 finishes in the US Open. He was also a competent instructor, manifested in the ability of his students to learn both the swing and its competitive execution. And yet, Pinehurst is so different from any other place in the Americas. And so much of what it is, is due to the influence of Donald Ross.
In a nod to the accepted round of golf across the planet, the book contains 18 chapters, including the appendices. At locomotive pace, the mode of transportation utilized by Ross to traverse the lower 48 of the USA and Canada, the reader gathers a proper awareness of the great man’s living arc. Beginning with the hike from the train station in Boston to the Oakley Country Club, the emigration of the Scotsman from the highlands of Caledonia to the next hemisphere was a fairly simple affair, with unexpected, poignant, and far-reaching consequences. Donald J. Ross, jr., would complete the shaping of american golf that was assisted (but never controlled) by architectural peers. Men like Walter Travis, Albert Tillinghast, Charles Blair Macdonald, Alister MacKenzie and Tom Bendelow would build courses of eternal worth, but none would shape in the far-reaching manner of Ross.
It’s tempting to make a larger portion of this story about Buie, but he wouldn’t have it so. A Pinehurst native, Buie’s blend of reverence and understanding of his home region are evident and undeniable. One almost thinks that a similar history might have been written about any number of characters charged with the stewardship of the Sandhills region of North Carolina. Fortunately for aficionados of golf and its course architecture, Buie is a golfer, and so we have this tome.
Donald J. Ross, jr. was a man of principle, a man of faith, a man of belief. When those beliefs came into conflict with each other, which they seldom did, he had an instinct for elevating one over the other. No other place is this more evident that in his routing of the Sagamore course in Lake George, in the Adirondack mountains of New York state. Faced with the conundrum of how to begin the course, his daughter remembers the sage words of the father. Despite contradicting his belief that a course should never begin in the direction of the rising sun, Ross commented I can’t start it anywhere but looking out at that lake and those mountains. Indeed, Sagamore would be a poorer place for an alternate opening, and this review would have less of a way to reach its end.
My recommendation: read the book.
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