Opinion & Analysis
Williams: Want to hit straight golf shots? Try learning to shoot straight!
Phil Mickelson got a lot of attention for a tweet that showed him spending time on a firing range to prepare for the Ryder Cup. Mickelson wrote, “How is today’s long-range sniper shooting preparing me for the Ryder Cup? Meditation, controlling my thoughts, breathing, heart rate and connecting with the target are critical for both!” While it ultimately didn’t do him a lot of good in France, the theory was a sound one. The roles of equipment, technique, and mindset are almost identical in shooting and golf. These crossovers exist between golf and most shooting sports, but Phil should have been practicing at a sporting clays course instead of a sniper range.
Per the National Sporting Clays Association, sporting clays is the fastest growing sport in America. The sport dates back to England in the early 1900s but gained in popularity with the introduction of low-cost clay targets and automatic clay target throwers. It’s recently become known as “golf with a shotgun,” and for good reason. As in golf, sporting clay facilities are arranged as courses, with between 10 and 20 stations comprising a course. Each station has machines that launch clay discs into the air and participants attempt to hit the clays using shotguns. Each station is unique, with varying levels of difficulty achieved by combining various speeds and angles of flight of the clay targets. And like golf course architecture, the quality of a sporting clays course is determined by terrain, course conditions and the imagination of the course designer to engage and challenge the player.
I first had the chance to try sporting clays a couple of years ago at a golf resort in Florida. It did not go well, partly because the coach was a post-divorce emotional wreck, but also because I sucked. While I was not afraid of guns, I was definitely unfamiliar with them so there was a steep learning curve. But eventually I did hit one of the clays, shattering it into a gazillion pieces. The tuning fork had gone off, just like the first time I hit a golf ball well. I was hooked.
My second opportunity was at Gleneagles, the posh resort in Scotland that has hosted everything from world political summits to Ryder Cups. I was determined to redeem myself, but I got off to a bad start, hitting only one of the first ten or so targets. Just like when your confidence leaves your golf swing, I had the feeling that I had no idea what I was doing.
Alan Dickson, the Director of Shooting Sports at Gleneagles, is a former British Marine who has been involved in shooting sports his whole life and has seen a lot of bad shooters. He stood behind me and asked me to shoot at a target that was arcing upward from left to right. After three of those, all misses, he asked me to shoot at the same target going in the opposite direction and I hit two of three. Dickson took a roll of black electrical tape from one of the 200 or so pockets in his shooting vest and covered the left lens of my protective eyewear with black tape. He gave them back to me and had me shoot the same six targets…I hit all six. It was like one of those days on the golf course when you figure something out and suddenly everything works.
From that point on, I took the opportunity to shoot whenever I could, and just like golf, I had good days and bad days. On a visit to The Omni Homestead in Hot Springs, Virginia, the Director of Shooting Sports David Judah explained to me that part of the reason that I had been erratic was that I hadn’t had a gun that truly fit me. “It’s just like with a golf club,” Judah explained. “Shotguns have different weights, dimensions and balance points. If you don’t have a tool that fits you, you will struggle to control it. With a tool that fits you, you will make a much more natural move to the target”. He had me try a number of shotguns of different brands, sizes and configurations before finally settling on a Beretta Silver Pigeon, a 12-gauge shotgun with a 35” over/under barrel. It felt just like a fitted set of irons. I took the Beretta out to the range where Judah had set up several stations with clays going everywhere. With a shotgun that fit perfectly I hit nine out of the first ten clays, “powdering” most of the them (powdering is when you hit the target so perfectly that it turns into a cloud of orange powder, and the feeling is identical to hitting a 3-iron on the center of the clubface). I shot at 50 clays that day and hit 44; for me, that’s about like shooting a 69 at Congressional from the tips. I was determined to carry my rhythm from the shooting range to the golf course. I played a round of golf in the afternoon on the beautiful Cascades course and I shot a 78. I was convinced that the rhythm and timing that I had developed earlier in the day on the shooting range was the reason.

I became determined to make a direct connection between the methodologies of shooting sports and golf. Enter Jason Gilbertson, Marketing Director at Winchester, one of the oldest and most respected names in firearms and shooting sports. We met at Big Cedar Lodge in Branson, Missouri, one of the nation’s best destinations for golf and outdoor sports. I told Jason about my experiences in golf and shooting, and my idea that there were definite crossovers between the two sports. He asked if I had spent any time with world-class marksmen and I acknowledged that while I had played with top professional golfers, I hadn’t spent any time with the best of the best in shooting sports. With that, Gilbertson arranged for me to spend time at the U.S. Olympic Training Center in Colorado Springs, Colorado, where the best athletes in the country go to dedicate their lives to excellence in their chosen sports, including the shooting sports.
At the U.S.O.T.C., I learned that as with golf, there are different mindsets and personalities in the shooting sports. The air pistol people are very quiet and methodical; they reminded me of great putters like Ben Crenshaw. The rifle specialists reminded me of gearheads like Phil Mickelson, always looking for just the right equipment tweak. But the trap shooters were the most interesting to me, since trap is the closest discipline to sporting clays. Trap shooting involves shooting clays that are moving much faster and at more severe angles than sporting clays. Like golf, a good trap shot “happens” before you make a move. A proper grip, balanced stance and consistent alignment assure that you will make a good shot. And like golf, it is important to keep the hands moving through the “swing” after the point of impact. And the best golfers and trap shooters in the world have a pre-shot routine that involves visualizing a desired result, slowing down the breathing, controlling your adrenalin, then executing. I had found the connection that I was looking for.
After a year of visiting first-class golf and shooting facilities I came to the Sandy Creek Sporting Grounds, the brand-new sporting center at Reynolds Lake Oconee. Located halfway between Atlanta and Augusta and boasting an established reputation as a golf destination, Reynolds recently added a shooting sports center that is among the finest I around. I met up with the director of the sporting center, Justin Jones, a decorated shooting champion who opened the very first shooting center based at a golf resort, the aforementioned Gleneagles.
There is a decidedly British feel to the structures and the landscape at Sandy Creek, with stacked stone shooting stations and lush landscaping that makes you feel like you are on the set of Downton Abbey. I shot well, bagging the easy clays on the first try and getting most of the difficult ones on the second try. Jones watched me quietly and then asked if I was willing to make a couple of changes. I was reluctant since I had been shooting well, but I remembered that golfers with bad habits can have a good day and listened to his advice. He adjusted my grip, stance and alignment; it felt more comfortable, and I turned clay after clay from disk to powder in rapid succession. Then came the final station, a pair more difficult than any I had faced. The first clay was a high lob to my right, followed by a “water rabbit”, a diabolical creation of Jones’. A rabbit is a clay that skips rapidly across the ground and is very hard to hit. The water rabbit skipped evasively across a pond for a second or two before diving under water like, well, like a scared rabbit.
“Not a lot of people can do this one,” warned Jones, which was all I needed to hear to know that I wasn’t leaving without bagging that pair. The first shot was a relatively easy one, and I powdered that clay almost every time. But the water rabbit eluded me time after time. After the fifth or sixth attempt I could almost swear that I heard the rabbit laugh as it slipped intact under the surface. I was down to my last couple of shells and feeling like Roy McAvoy in Tin Cup trying to get that 3-wood over the water. I took a deep breath and Jones reminded me, “Don’t aim at the target, point at it.” I took my stance and tried to remember what I had learned from Jones and from the U.S. Olympians. “Pull,” I said firmly, and I hit it the first clay dead center. I swung my gun to the point just ahead of the water rabbit on its third and final skip. I fired, and the target turned into a combination of orange powder and pond water, a sort of ballistic Tang. I looked at Jones, who was smiling like Obi-Wan Kenobi. I took a deep breath and bellowed, “Yeeeeeesss!!!” Not very British of me, but the feeling of nailing that pair was what I imagine a hole in one feels like. Hopefully I’ll get to make the comparison soon.
Golf and sporting clays are a natural fit, and even if you have never touched a firearm in your life you will enjoy the thrill of a shot well executed, just like golf.

Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.
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benseattle
Nov 28, 2018 at 12:11 pm
Because I walk my dogs around the neighborhood for some two hours a day, listening to podcasts has become a staple. I tried fitting Michael Williams into the routine but I’m here FOR GOLF and this just doesn’t fit the bill. We don’t come to GOLFWRX for anecdotes about “shooting sports” and neither do we want to hear his constant plugs for obscure resorts or useless gear. I would like to know if William is getting kickbacks (payola) for featuring these people. This “golf” podcast is in the woods, thus I DO NOT LISTEN ANYMORE. (What’s more, we dial up a podcast KNOWING what we’re listening to; no reason for Williams to Say His Own Name a dozen times in an hour. Ego out of control.)
DaveJ
Nov 28, 2018 at 1:58 pm
Shank. There are plenty of golf-specific stories to read. If you have no interest in shooting sports, simply don’t click on the story.
UR
Nov 27, 2018 at 2:01 am
Playing soccer is a better way to learn to hit the ball and understand about weight shift and swinging something at a round object and moving it in the air
polarpete
Nov 26, 2018 at 5:41 pm
Moe “Pipeline” Norman, the greatest ball striker of all time, only hit straight shots. “Why hit curved shots unless you are in trouble?”, he asked. Listen to Moe, he knows.