Opinion & Analysis
The 2012 Masters champion could have easily been a different lefty
It’s said that a player needs a break to win a major championship. In Phil Mickelson’s case at the 2012 Masters, it took two bad breaks for him not to win.
Mickelson did something neither Bubba Watson nor Louis Ooosthuizen did during the 72 holes of this year’s Masters tournament. He made a triple bogey. Actually, he made two, and he still only finished two shots out of the playoff and a possible fourth Green Jacket.
Not to take anything away from Bubba, whose creativity allowed him to make 19 birdies at Augusta National Golf Club without carding anything worse than a bogey. But Mickelson was the original Bubba, or the “Second Seve,” depending on your generation.
Pure Mickelson, to me, was the third shot Lefty played on No. 15 in Round 3 of the tournament. Mickelson bombed a drive down the middle of the par-5 15th, but his second shot bounced over the green, setting up one of the most delicate chip shots on the course. From a tight lie with water behind and little green to work with, Mickelson made a full slash with his wide-opened 64-degree wedge, which seemed like an impossible amount of swing speed for such a short shot. A nod to the gods? No, this shot went high enough to touch them. And when the ball came down, it landed a few feet from the cup and set up a short birdie putt that Mickelson converted in route to his third-round 66.
But with Mickelson, there are most always high highs and low lows. In Round 1, he found disaster at No. 10, a 495-yard par 4, where he hit his tee shot miles left into the trees. Despite the huge gallery that he always draws, no one was able to find his ball. If they had, Mickelson could have likely found a way to salvage at least bogey or double-bogey. But a little bad luck sent him back to the tee and resulted in a triple-bogey seven.
On Sunday, Mickelson had three chances to make birdie putts on the first three holes, but was unable to convert any of them. The leaderboard had changed dramatically in that short time. Oosthuizen holed out for double eagle on No. 2, the first deuce recorded on No. 2 in Masters history, vaulting him to the top of the leader board at 10-under. Third-round leader Peter Hanson got off to a sluggish start, falling to 7-under after three holes, three shots back of Oosthuizen and one back of Mickelson.
Mickelson said that his strategy as he approached No. 4, a 240-yard par 4, was to hit a 4 iron either on the left edge of the green, in the left bunker or even on the hill to the left of the bunker. From there, he could easily get up and down for par, he said. But his shot struck the metal railing of the grand stands to the left of the green and bounded into the trees. A shot in the grand stands would have been fine — he would have gotten a free drop. A shot that landed just short in the crowd would have been fine as well. With his short game, Lefty would have probably made at worst a bogey, probably a par. But’s that’s not what happened.
Mickelson was in a tough spot. His ball was buried deep enough that he was forced to lift his ball to identify it. Once he was sure it was his, had had to choose between three unpleasant options.
No. 1 — Play the shot right handed, and try to chop his ball a few yards forward into an unobstructed area where he could pitch over the greenside bunker and onto the green.
No. 2 — Take an unplayable lie, which he said did still not allow him to make a backswing.
No. 3 — Go back to the tee and try again (he would be hitting his third shot).
Mickelson, as he almost always does, went with the riskier shot, No. 1. He flipped his lefty club upside down and chopped at his Callaway right handed. The ball moved a foot or so forward — not much improvement. He was forced to play a similar shot, again right handed, one that almost hit him in the left leg as it scampered a few yards toward the green. Mickelson, now playing his fourth shot from tight, trampled down grass, attempted his signature super flop, but was not as successful as he was the previous round. He hit the shot slightly fat, which put him in the greenside bunker lying four. He nearly holed that shot, setting up a tiny putt for triple-bogey six.
A conservative estimate is that Mickelson’s two bad breaks cost him three shots — one shot in Round 1 where he lost a ball, two shots in Round 4 where he hit the grand stands. In reality, however, the bad breaks probably cost him more. But the conservative estimate of three shots still would have given him his fourth Green Jacket.
Should Mickelson have gone back to the tee on No. 4 in the fourth round, which should have resulted in no worse than a double-bogey on the hole? Probably. But that’s not Mickelson’s style. Fans think of Lefty as a swashbuckler — a gambler who sometimes doesn’t know when to fold ’em. But like his flop shot in Round 3 on No. 15, Mickelson pulls off shots other players can’t, and more importantly, he prepares as thoroughly as anyone to help his imagination become reality.
A good example of Mickelson’s meticulous nature is an iron shaft switch he made during the final round of the WGC-Cadillac Championship. Since the mid 1990s, Mickelson had been using Project X shafts in his irons. But at Doral, he put a set of KBS shafts in his 4-PW. The change was helped by the relationship between Mickelson and Kim Braly, designer of KBS (Kim Braly shafts). Braly was lead designer of the Project X iron shaft as well, and the person that fit Mickelson for his iron shafts more than a decade ago. In 2008, Braly started KBS, and Mickelson briefly tried the company’s KBS Tour shafts at that time. He liked the shafts in his long irons, but said his mid irons and short irons put too much spin on the ball, and opted to return to his Project X shafts.
Braly and his team worked hard to develop a lower-launching, lower-spinning product for Mickelson, which became the KBS Tour V2. The midsection of the stepped shafts is slightly wider in diameter than the KBS Tour shafts (about 0.1 inch), which accounts for the difference in performance.
What separates Mickelson from other players on Tour is the way Mickelson tests his irons. Lefty tests each club individually, where as a player like Ernie Els switched to a full set KBS shafts after hitting a few shots with his 6 iron. Mickelson’s testing process resulted in him using the original KBS Tour shaft in his 3 and 4 iron (x-flex, 130 grams, tipped 1 inch), while using the KBS Tour V2 shafts in his 5-PW. But Mickelson’s shafts weren’t the only things to change — the switch also forced him to change the lie angle on his irons. During testing, Mickelson noticed that his shots were flying more consistently, but slightly to his right at launch. Braly said that this was because the new and more stable shaft doesn’t “droop” as much at impact, and he suggested that Mickelson have his clubs bent 1 degree flatter to account for the change.
“A lot of players would have seen the ball start a little off their target line and gone back to what they were comfortable with,” Braly said. “But not Phil. He’s very excited about the new shafts, and worked hard to get them right.”
Braly and Mickelson still have some work to do according to Braly to get the 3 iron and 4 iron shafts perfect, and fit Lefty for KBS shafts in his 56-degree and 64-degree wedges.
Like the game of golf itself, equipment changes seem to be a never-ending quest for perfection for Mickelson. After all, he’s the guy who switched equipment sponsors shortly before the 2004 Ryder Cup, played two drivers when he won the 2006 Masters and played the 2008 U.S. Open without a driver in the bag. He’s not scared to try any club, and likewise, not scared of any shot.
This week Mickelson should have won his fourth Masters title, but for one reason or another, it wasn’t meant to be. But one thing’s for sure — at 41, he’s still trying to get better. And win or lose, he’s always fun to watch.
Click here for more discussion in the “Tour Talk” forum.
You can follow Zak on Twitter @zakkoz.
Club Junkie
Tour Edge Exotics mini driver review + TaylorMade Spider ZT Max first look – Club Junkie
On this episode of Club Junkie, I put the new Tour Edge Exotics Mini Driver to the test and break down the performance, forgiveness, distance, and where it fits compared to a traditional driver or strong fairway wood. If you have been curious about adding a mini driver to the bag, this one is worth a look.
I also dive into the new TaylorMade Spider ZT Max putter that was recently spotted and discuss the growing zero torque putter trend. Plus, there is a closer look at the new Project X Titan Yellow shaft showing up on the PGA Tour and what makes it different from other profiles currently out there.
Opinion & Analysis
AVL: We’re talking about practice! My best tips for taking your game to the course
With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game.
Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills.
While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice.
This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times.
Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy.
One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length. Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine.
It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season.
Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds.
Finding the right balance is something we’re all working on, one practice session at a time. With the beginning of June on the horizon and courses rounding into peak condition for the season, it’s time to hone the finer skills that often get rusty over the winter. More sunlight also means more time to get out on the course and work on your game. Whether it’s the practice green or the driving range, there’s always something to improve—whether you’re enjoying the fresh air or preparing for a weekend game or tournament. You can work on drills or freestyle around the green, and friendly competition is a great way to sharpen your skills. While there are endless ways to get better at golf, I’m going to focus on practicing around the green. Let’s take a look at a few things to keep in mind as we head into the summer months.
Drills
From the driving range to the practice green, it’s important to incorporate drills into your routine. Years ago, I spent a weekend working on my short game with James Sieckmann. He recommended doing drill work for 5–10 minutes, then returning to your main practice. This way, you create a balance between structured drills and real-world scenarios, so you’re not confined to “perfect” situations. For example, hitting the same three-foot putt over and over is good for repetition, but after a while, it becomes less interactive for your brain.
My approach is to use a putting trainer with a narrow gate for the ball to pass through, or simply place tees just outside the width of the ball. I’ll hit a series of four putts through the gate for three sets. Then, from a similar distance, I’ll hit four putts without the training aid and repeat that sequence three times. Next, I’ll hit a number of 15–25 foot putts in a random fashion, then circle back to repeat the short putt drills with and without the training aid.
This breaks up the rhythm of hitting short putts with the training aid. When you hit the same short putts over and over, it’s easy to get into a groove—which is great for the drill, but not reflective of actual course play. While finding a rhythm is fundamental for drills, I like to introduce variation with longer putts to keep things realistic.
Game Mode
Once you’ve established a foundation with drills, it’s time to simulate on-course scenarios. This is where a few practice games come in handy. One that I’ve been enjoying lately involves putting 10- to 15-footers with two balls. If I make the putt, great! If I miss, I pull the missed ball back a putter length.
Suddenly, that little tap-in becomes a nerve-wracking three-footer—at least at first. As you get better at this game, those three- and five-footers become much more comfortable and routine. It may sound cliché, but each shot is just what it is—it’s how we react that makes the difference. I like this game because it blends the pressure of on-course putting with the consequence of leaving yourself a much longer putt than usual.
Another game I like is one I recently learned from Brad Faxon. Place three tees in a line at four different locations around the hole: one at 3 feet, one at 6 feet, and one at 8 feet. The 3- and 6-foot putts count as par, and the 8-footer is for birdie.
This game keeps you focused on scoring and helps you get into a competitive mindset. You can even think about this putting game while you’re on the course. I just started playing it, and last week I couldn’t get better than two under par.
Competition
Competition during practice is when drills and games come to life, and you start to see results. For me, nothing beats a putting contest with a friend or two. In the right setting, these contests can become talking points for the whole season. Match play, a game of 21, or simply seeing who can make the most one-putts (with a small prize on the line) are all great ways to simulate real on-course pressure. Recently, I played in a putting contest where one competitor made back-to-back 30- and 50-foot putts. As they say, expect your opponent to make every putt—and he nearly did. That’s impressive, and it’s something you see on the course, too: you have to stay committed to your game plan, no matter what.
When it comes to practice, it’s important to blend feedback from recent rounds with the fundamentals you want to reinforce. Drills, games, and competition—from the driving range to the putting green—form the backbone of skills you’ll rely on during actual rounds. Finding the right balance is something we’re all working on, one practice session at a time.
Equipment
Seoul Sensibilities: Is Korean golf fashion starting to shape the world?
For Korean golfers, we always look forward to the last of the kkot-saem-chu-I for the true start of a new golf season. The term refers to a cold snap, but literally translates as “winter being jealous of the flowers beginning to bloom, thus lashing out one final time before surrendering to spring”.
A rather poetic mouthful packed into a short expression.
Koreans can be like that. Understated, yet oddly expressive at the same time. And nowhere is this more true on the golf course and in our golf bags. In fact, I suspect many Korean golfers look forward to new apparel and accessory drops more than they do actual equipment launches each year.

At this point, Korean golf fashion may exist on its own timeline. (courtesy of @seonbi_golfer)
There is ample evidence to support that suspicion. Korea is the world’s third-largest golf market behind the United States and Japan, yet its appetite for golf apparel exceeds that of both countries combined. Recent estimates suggest that Korea accounts for nearly 40 percent of the global golf apparel market, placing it among the world’s most influential golf fashion markets and punching well above its size.
Simply, we care deeply about how new golf clubs look and feel, but enjoy looking good while swinging them even more.
Golfers in the West may laugh and say that golf is played on a course, not a fashion runway. Perhaps. But what’s the harm in trying to look and feel good, if the added self-confidence can help actual performance? It certainly seems to have worked for Jason Day, who may have unlocked a new stats category: dormant strokes gained. Coincidence?

During the COVID-era, estimates placed the market near $9 billion, an astonishing figure for a single country.
As a proud member of Gen X, I’ve witnessed the highs and lows of golf fashion firsthand. The pleated trousers and wing-tipped shoes of Jack Nicklaus, the stylish plus-fours and knickers of Payne Stewart, the baggy black trousers and fitted mock-necks of Tiger Woods, and the thigh-hugging athletic tailoring of Rory McIlroy. Golf fashion, like the golf swing itself, has rarely stood still.
But nowhere have those trends shifted, evolved, and been scrutinized quite as relentlessly as in Korea. Here, golf fashion moves faster than fairway gossip, and consumers dissect brands with a level of discernment that can be both impressive and mildly terrifying. New brands are studied, judged, embraced, or dismissed with startling efficiency.
The result is a consumer base with one of the sharpest eyes for quality and authenticity anywhere in the world. It is difficult to quantify, but easy to recognize. Clean lines without trying too hard. Luxury mixed with utility. Trend awareness balanced by restraint and purpose.
It’s golf fashion shaped by one of the world’s most style-literate cities, something I like to call Seoul Sensibilities, referring to the taste level forged by a uniquely competitive environment.
And increasingly, global brands have noticed.

Many golf brands in Korea have their own flagship shops dedicated to apparel only
Titleist understood this years ago, when its apparel business in Korea took on a life of its own under new ownership and local direction. What had once been a straightforward extension of an iconic equipment giant became something sharper and more premium. By going all in on the serious Tour-player look (I couldn’t even fit into their XL sizes), Titleist struck the right chord with Korean consumers and helped its fledgling apparel business break into the mainstream. Titleist became a household name even for non-golfers who wore its caps, shirts, and windbreakers in daily life. In many ways, it proved that even heritage golf brands could carry real fashion credibility when viewed through a Korean lens.
Several years later, PXG took a page out of Titleist’s playbook and followed suit. Korean consumers helped transform the brand from one known largely for irons and loud commercials into something broader and more stylish. PXG apparel’s growth in Korea was explosive, where it found an early audience and turned the category into something more than mere logo merchandise. It is still hard to walk anywhere in Seoul without seeing its palindrome logo.
Malbon’s meteoric rise in the United States was genuine, but its ascent into a global golf lifestyle brand owes much to Korea, where it was elevated by a market already fluent in modern golf style. Korea did not simply embrace Malbon. It pressure-tested the concept, refined its appeal, and helped push it into the global spotlight.
As such, new brands may arrive from abroad, but more often than not, their sharpest evolution happens here. If a brand can earn credibility in Seoul, it’s deemed to have passed one of the toughest style audits in the game.
That is why the next meaningful chapter may not come from outside, but from a Korean brand moving in the opposite direction, carrying those Seoul Sensibilities outward as K-pop once did.

Play young Stay dope.
From Seoul, With Intent
Khalhon is a label that feels less like a trend-chasing newcomer and more like the product of a market that has already seen everything. Golfers here have long been surrounded by luxury logos, technical fabrics, and tour uniforms disguised as lifestyle wear and vice-versa. In other words, novelty alone rarely lasts here, and the Koreans seems to understand that instinctively.
Its style language leans into clean silhouettes, relaxed but tailored proportions, muted palettes, and premium materials that speak quietly but confidently. There is a modern city aesthetic running through it all, with strong layering pieces, thoughtful textures, and subtle branding that suggests sophistication rather than demanding attention.

“Built for the course. Designed beyond it.”
Most importantly, the garments seem designed to blur the line between golfwear and everyday style. Shirts, trousers, knitwear, and outer layers move comfortably between a game of screen golf, a lunch reservation, an airport gate, or an afternoon coffee in Gangnam with friends.
It raises the question of whether this is golfwear that happens to look good off the course, or everyday clothing that performs beautifully on the fairways.
Personally, I have long appreciated Nike Golf for its clean, athletic modernization of golf attire. It also has the useful side effect of making me look like a more serious golfer than I probably am. But off the course, there are times when being instantly identified as the golf guy in a crowd of non-golfers can feel a touch self-conscious.

“Built for the course. Designed beyond it.”
That is part of what drew me to Khalhon, which seemed to blend golf and everyday wear naturally. While some of the outfits may be slightly beyond my personal confidence level, the brand also offers tasteful options for older guys like me who still want to express a little personality without regretting the decision later.
These are not simply flashy outfits worn on the course and then banished to the closet until the next tee time. They work surprisingly well off the course too, and I suspect many of the pieces will still look right a couple of years from now, which would certainly be kinder to my wallet than most golf fashion trends tend to be.
And perhaps that broader lifestyle positioning also helps explain why someone like Sean Wotherspoon would find Khalhon creatively interesting in the first place.

“Built for the course. Designed beyond it.”
“Korea is not only one of the most fashion-forward golf markets in the world, but one of the most fashion-forward markets globally. Korea is ahead, and I love to watch and try to catch up.” – Sean Wotherspoon, Creative Director at Khalhon
Seoul and Beyond
If Khalhon’s rise says something about where Korean golf fashion is today, its relationship with Sean Wotherspoon says even more about where it is heading.
For readers less familiar with Sean Wotherspoon, his arrival at Khalhon is not some routine celebrity endorsement or influencer collaboration. In design and streetwear circles, Wotherspoon is regarded as one of the more influential creative voices of his generation, particularly when it comes to blending nostalgia, storytelling, and contemporary culture into products that people can connect with.
He first gained widespread attention through his now-famous Nike sneaker collaborations, where his vintage-inspired designs and instinct for color helped turn him into one of the defining artists of the late-2010s sneaker era. His work gradually expanded beyond footwear into apparel, automotive collaborations, collectibles, and broader lifestyle design.
Modern golf style now extends well beyond the fairways, where performance and functionality are largely expected by default. And while plenty of brands already make technically competent golfwear, Khalhon seems more focused on designing clothes people would genuinely want to wear even after the round ends.
And when guys at Wotherspoon’s level show genuine interest in working with a Korean golf brand as its new Creative Director, fashion circles tend to sit up and pay attention. There’s already a huge buzz among the fashion-conscious here about upcoming collabs with iconic sports stars and brands.

“My creative direction for Khalhon is disruptive, colorful, nostalgic, and modern. My goal is to blend these avenues seamlessly within each collection.” – Sean Wotherspoon
In chatting with Sean, what stood out most to me was how genuinely energized he sounded about the project itself. Despite having already worked across and countless other creative spaces, he described golf as a completely fresh category for him, saying that Khalhon “will be an amazing vehicle for my design work.”
At the same time, his enthusiasm seemed tied just as much to Korea itself. He spoke openly about admiring Korea’s fashion culture while repeatedly insisting he is still a terrible golfer.
There was something oddly refreshing about that humility. Rather than sounding like a celebrity parachuting into golf simply because the category suddenly became fashionable, Sean sounded genuinely curious about what Korea might do with the category next.
And perhaps that is what makes Khalhon feel interesting right now. The brand feels less like a trend-chaser and more like the natural result of a market now confident enough to export its own point of view.
For years, global brands came to Korea to sharpen their image against one of the most discerning audiences anywhere. Now, a Korean label appears ready to send those Seoul Sensibilities outward instead.
Which brings us back to kkot-saem-chu-i.
That final cold snap before spring always arrives with a reminder that seasons are changing, whether we notice it immediately or not. Golf fashion feels a little like that right now as well, as the old boundaries between sport, streetwear, luxury, and everyday style continue to soften.
And somewhere in Seoul, a Korean golf label already seems prepared for whatever season comes next. I just hope they have everything in my size.
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Jim England
Jun 18, 2012 at 9:36 am
Please answer with projected cost!
Jim England
Jun 18, 2012 at 9:30 am
See above!
Jim England
Jun 18, 2012 at 9:27 am
I would like to be fitted for a full set of KBS Tour V.2 X-Flex Shafts. 4 thru PW. and three pitching wedge’s.
What would be the price for this fit?
I live in St Petersburg, Florida, is there a pro-shop close by?
Thanks.
Jim
Jim
Apr 14, 2012 at 8:17 am
I was right under Phil’s ball on # 4… if it hadn’t hit that high on the stands it would have still have most likely ended up in the same place. Same said if it had hit the hill… it slopes severely right to where his ball ended up.
I was very surprised the bamboo thicket wasn’t marked as a hazard… it certainly looks like a bog down there.
Anyways his ball was left and going letter… he didn’t get a bad break.
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