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Want better speed control on the greens? Download a metronome app

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Understanding rhythm and tempo is crucial to being a great putter. Tempo is the pace we do things, and rhythm is the sequence of those events. In putting, rhythm is the attribute of the distance of the stroke back and through, while tempo is the time it takes to complete the stroke.

When rhythm is off, weaknesses in speed control are exposed, especially under pressure. And when a player is struggling with their distance control, the length and speed of the stroke can be the first tell.

So how do we factor this into our putting? Golfers should strive to use the same tempo and timing for ALL length putts. In other words, the time it takes for you to swing the putter head back and make contact with the ball will be the same on a 5-foot putt as it is on a 20-foot putt. The only thing that varies is the length of the backstroke and forward stroke.

There’s no one correct tempo for a putting stroke, either, not even on the PGA Tour. So you need to figure what tempo suits you the best. The best way to do that? Read on.

Use a metronome to improve you putting tempo

Using a metronome is the best way to practice proper tempo for putting. You can use it to practice matching different length putting strokes to the sound of the metronome beat. The beat of the metronome will stay consistent, but the length of the stroke will differ due to the length of the putt.

Don’t have a metronome? That’s ok. You can download a metronome app for your smart phone, which works just as well. Most are free, too.

Above is a video demonstration of starting the stroke on the first beep and making contact on the second beep. Make sure the volume is on so you can hear the sound of the metronome throughout the stroke. I made the video while using a Visio putting arc, which is another great tool to help make sure the length of your stroke is even.

Once you have practiced using a metronome, you can carry that tempo and rhythm to the course. Once you find a tempo that suits you best, a simple mental count of “one-two” while putting will serve as your internal metronome.

At-home drill using a metronome

I sometimes ask my students to work on their putting stroke away from the course, because it helps keep them from thinking too mechanically. When we’re playing a round of golf, putting should be more instinctive and the focus should be external and on things like speed and line — not positions or mechanics.

Below is a great drill you can do at home that incorporates the use of a metronome or your mental “one-two” count. It will give you instant and important feedback.at home drill

Place a book on the floor, turn your metronome on and set your putter head against the side of the book. You will take the putter head back on the first beep, and softly strike the back of the book on the second beep. Imagine rolling different length putts: a 5-footer, a 10-footer, a 20-footer and so on. Make sure your putter head strikes the side of the book on the second metronome beat no matter how long the putt.

What you want is the length of your stroke to change, but your tempo to remain consistent. I use a metronome beat count of “65” while doing the drill, but you may differ.

Enjoy this drill, and let me know if you have further questions in the comments section below. I’ll do my best to answer as many questions as I can. 

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Kelvin is a Class A PGA golf professional in San Francisco, California. He teaches and has taught at some of the top golf clubs in the Bay Area, including the Olympic Club and Sonoma Golf Club. He is TPI certified, and a certified Callaway and Titleist club fitter. Kelvin has sought advice and learned under several of the top instructors in the game, including Alex Murray and Scott Hamilton. To schedule a lesson, please call 818.359.0352 Online lessons also available at www.kelleygolf.com

13 Comments

13 Comments

  1. Radim Pavlicek

    Nov 30, 2016 at 7:31 am

    Extremely confusing. I think you mean 2 clicks back and one forward. Not 1 back and 1 forward as stated in the article.

    • Kelvin Kelley

      Nov 30, 2016 at 10:57 am

      You can do either…two clicks is just to keep it simple. Take the putter head back on the first click, make contact on the second click. If wanted a click on a different part of your stroke, would have to change metronome beat.

  2. Jake V

    Nov 29, 2016 at 6:04 pm

    In my opinion, one of the best ways to improve distance control in putting is to buy an Odyssey putter. 🙂

  3. Joe Brennan

    Nov 29, 2016 at 12:45 pm

    Another great tip… Thanks..

  4. Azman Long Hamid

    Nov 27, 2016 at 9:17 pm

    Why 65 ???

    • Kelvin Kelley

      Nov 27, 2016 at 10:13 pm

      Azman,

      Great question. Typically the rhythm of the stroke is twice as long back as the downswing to impact so a 2.1 ratio. So that’s 2/3 of the time back and 1/3 of the time down. This number has been calculated based on Tour averages.

      • Azman Long Hamid

        Nov 28, 2016 at 2:06 am

        Ok, that’s make sense. Thanks.

      • TeeBone

        Nov 28, 2016 at 1:59 pm

        For a 2:1 rhythm, you’d need to make impact on the third click. It would be 2 clicks back, 1 click forward.

        • Kelvin Kelley

          Nov 28, 2016 at 2:07 pm

          Yes, you can change the metronome beat to match this ratio as well.

          • TeeBone

            Nov 29, 2016 at 1:39 am

            There is equal time between beats/clicks with a metronome. A 2:1 ratio for backswing:forward swing will always be 2 beats back and one beat forward to impact. The only thing you can adjust is the tempo. If a specific app makes the 3rd or 4th beat sound different, then its more than just a metronome.

  5. WillyNilly

    Nov 27, 2016 at 1:27 pm

    You do reason you wrote that you want your students to do a mechanical “metronome” drill to get away from becoming too mechanical on the course. Even in music study the metronome is considered a mechanical step required to improve timing, however, it doesn’t mean it will translate to feel, and feel is what sinks putts and creates moving music. I have tried the 1-2 count in the past, but prefer to feel it with physical triggers versus actual counting. That being said, timing is important and I’ll record myself putting and analyze the video afterwards to see how my timing is and how it relates to my distance control. Thanks for the article – always open to a different way of looking at a problem.

    • WillyNilly

      Nov 27, 2016 at 1:41 pm

      where “reason” = “realize” :o)

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Instruction

Clement: Laid-off or perfect fade? Across-the-line or perfect draw?

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Some call the image on the left laid off, but if you are hitting a fade, this could be a perfect backswing for it! Same for across the line for a draw! Stop racking your brain with perceived mistakes and simply match backswing to shot shape!

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The Wedge Guy: The easiest-to-learn golf basic

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My golf learning began with this simple fact – if you don’t have a fundamentally sound hold on the golf club, it is practically impossible for your body to execute a fundamentally sound golf swing. I’m still a big believer that the golf swing is much easier to execute if you begin with the proper hold on the club.

As you might imagine, I come into contact with hundreds of golfers of all skill levels. And it is very rare to see a good player with a bad hold on the golf club. There are some exceptions, for sure, but they are very few and very far between, and they typically have beat so many balls with their poor grip that they’ve found a way to work around it.

The reality of biophysics is that the body moves only in certain ways – and the particulars of the way you hold the golf club can totally prevent a sound swing motion that allows the club to release properly through the impact zone. The wonderful thing is that anyone can learn how to put a fundamentally sound hold on the golf club, and you can practice it anywhere your hands are not otherwise engaged, like watching TV or just sitting and relaxing.

Whether you prefer an overlap, interlock or full-finger (not baseball!) grip on the club, the same fundamentals apply.  Here are the major grip faults I see most often, in the order of the frequency:

Mis-aligned hands

By this I mean that the palms of the two hands are not parallel to each other. Too many golfers have a weak left hand and strong right, or vice versa. The easiest way to learn how to hold the club with your palms aligned properly is to grip a plain wooden ruler or yardstick. It forces the hands to align properly and shows you how that feels. If you grip and re-grip a yardstick several times, then grip a club, you’ll see that the learning curve is almost immediate.

The position of the grip in the upper/left hand

I also observe many golfers who have the butt of the grip too far into the heel pad of the upper hand (the left hand for right-handed players). It’s amazing how much easier it is to release the club through the ball if even 1/4-1/2″ of the butt is beyond the left heel pad. Try this yourself to see what I mean.  Swing the club freely with just your left hand and notice the difference in its release from when you hold it at the end of the grip, versus gripping down even a half inch.

To help you really understand how this works, go to the range and hit shots with your five-iron gripped down a full inch to make the club the same length as your seven-iron. You will probably see an amazing shot shape difference, and likely not see as much distance loss as you would expect.

Too much lower (right) hand on the club

It seems like almost all golfers of 8-10 handicap or higher have the club too far into the palm of the lower hand, because that feels “good” if you are trying to control the path of the clubhead to the ball. But the golf swing is not an effort to hit at the ball – it is a swing of the club. The proper hold on the club has the grip underneath the pad at the base of the fingers. This will likely feel “weak” to you — like you cannot control the club like that. EXACTLY. You should not be trying to control the club with your lower/master hand.

Gripping too tightly

Nearly all golfers hold the club too tightly, which tenses up the forearms and prevents a proper release of the club through impact. In order for the club to move back and through properly, you must feel that the club is controlled by the last three fingers of the upper hand, and the middle two fingers of the lower hand. If you engage your thumbs and forefingers in “holding” the club, the result will almost always be a grip that is too tight. Try this for yourself. Hold the club in your upper hand only, and squeeze firmly with just the last three fingers, with the forefinger and thumb off the club entirely. You have good control, but your forearms are not tense. Then begin to squeeze down with your thumb and forefinger and observe the tensing of the entire forearm. This is the way we are made, so the key to preventing tenseness in the arms is to hold the club very lightly with the “pinchers” — the thumbs and forefingers.

So, those are what I believe are the four fundamentals of a good grip. Anyone can learn them in their home or office very quickly. There is no easier way to improve your ball striking consistency and add distance than giving more attention to the way you hold the golf club.

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Instruction

Clement: Stop ripping off your swing with this drill!

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Not the dreaded headcover under the armpit drill! As if your body is defective and can’t function by itself! Have you seen how incredible the human machine is with all the incredible feats of agility all kinds of athletes are accomplishing? You think your body is so defective (the good Lord is laughing his head off at you) that it needs a headcover tucked under the armpit so you can swing like T-Rex?

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