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The flop shot that kept Jordan Spieth from flopping at The Masters

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Late in the day on Saturday at The Masters, it was looking like a coronation was taking place. Jordan Spieth had a crazy big lead through 52 holes and looked virtually bullet proof. He was Superman!

Then things got interesting in a hurry.

Spieth made a mess of No. 17 from just off the green, and from the middle of the fairway on 18, he hit it wide right into the patrons above the bunker. With the pin position on the back right of the green, he was terribly short sided. You could hear the ghost of Bob Rosburg saying, “He’s got not shot.” This is where Jordan proceeded to hit the shot, specifically hit the flop, that saved The Masters for him. It was a momentum-shifting shot of immeasurable proportion that took him into Sunday on a high note. Instead of finishing double bogey-bogey (or worse), he made the par that Greg Norman needed in ’86 from the same spot.

I can coach a player to play eight different flop shots. I have them all named: Flip Flop, Freddie Flop, Cut Flop, Full Flop, Closed Flop, Max Flop, Set Flop and Safety Flop. The one that Spieth played is the most common one used on the PGA Tour under pressure, because it’s the least risky of all the shots. It’s called “The Safety Flop.”

So how did he pull it off?

The other day I set up the same shot as Jordan: short sided, above the green, skirting a bunker, landing on a down slope. The missing elements are millions of people watching at home, a full gallery on No. 18 and the pressure of The Masters. Otherwise, it was very similar!

Flop_recreate

The Setup

  • Club selected was my 60-degree wedge.
  • Ball forward in my stance (opposite the logo on my shirt).
  • Face open 45 degrees (or more if the situation dictates it).
  • Hands low and not pushed forward.
  • Pressure balanced 50/50 on my feet with my feet close together.
  • Left foot flared to support rotation of the chest forward through impact to the finish.
  • Arms completely relaxed with zero tension.
  • Slight tilt to the shoulder line, with the front shoulder up and the right hip inward a little.

Flop_Setup

The execution of the shot requires two pieces: One is speed, and two is the swing.

First is the assessment of the speed needed to make the ball go forward, but also to make it go up. When golfers hit a flop shot most of the time, they only account for the speed necessary to make the ball go forward horizontally like any normal shot. They end up hitting a high, soft shot that goes about half the required distance. But since this shot has two factors, horizontal and vertical, you have to account for the energy needed to meet both requirements. So you need to power the swing to propel the ball upward and forward, and this requires you to swing harder than if you were just going forward and low with the shot. A key is to keep the speed of the chest moving with the fast arms. There is no lower body in this shot. It is all upper body speed from the chest and arms.

Ball_Vectors

The bigger the difference between the two lines, the more you have to add energy to account for the “up” in the shot.

The swing is part two. I call it the “Safety Flop” because the setup is very vanilla without any special tricks. It’s the easiest of the flop swings to execute, and I can teach someone the “Safety Flop” simply in one session.

The Swing

  • The backswing is very vertical, with the right arm hinging immediately and the swing moving in a “V” shape. You are setting the distance of the shot with the size of the backswing.
  • On the downswing, with the vertical angle of attack, the open club face slides under the ball lifting it high and straight. Some of the errors I see in executing this shot include taking the club back too low and also too much around. Both of these will make you hit the ball to the right, sometimes drastically.
  • Another problem is that most players generally stop their follow through too soon. Keep it going! If you were going to throw a ball underhanded, high and soft, you would finish the toss with your hand high. The lower body is not an active participant in this shot. So keep it quietly responding to the movements up top.

Vertical_Backswing

The other part of the swing that is necessary — and a learned trick — is the follow through. I want you to learn it by reverse engineering it. Work it back to impact from the finish to feel it correctly.

Check out this picture of my finish.

Flop_Finish

Notice how the face is open and looking at me, and the shaft is leaned toward my head. This is a huge key in making the ball go straight up and land very softly, so practice posing in this position. From here, return the club head back to the ball like you are swinging backward. Feel all the movements that this entails. Now from the ball, go forward to this position again without taking a backswing. Keep repeating this until you look like the picture every time. You should feel the club face rotating open as the shaft feels like it is going to hit you in the forehead.

If you can learn the more vertical backswing the safety flop requires, and also learn to put the club in the right position on the finish, you can execute this shot successfully. All that is left to do is judge the power needed to hit the ball up and forward. Just pick the correct backswing length to do that.

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If you are an avid Golf Channel viewer you are familiar with Rob Strano the Director of Instruction for the Strano Golf Academy at Kelly Plantation Golf Club in Destin, FL. He has appeared in popular segments on Morning Drive and School of Golf and is known in studio as the “Pop Culture” coach for his fun and entertaining Golf Channel segments using things like movie scenes*, song lyrics* and familiar catch phrases to teach players. His Golf Channel Academy series "Where in the World is Rob?" showed him giving great tips from such historic landmarks as the Eiffel Tower, on a Gondola in Venice, Tuscany Winery, the Roman Colissum and several other European locations. Rob played professionally for 15 years, competing on the PGA, Nike/Buy.com/Nationwide and NGA/Hooters Tours. Shortly after embarking on a teaching career, he became a Lead Instructor with the golf schools at Pine Needles Resort in Pinehurst, NC, opening the Strano Golf Academy in 2003. A native of St. Louis, MO, Rob is a four time honorable mention U.S. Kids Golf Top 50 Youth Golf Instructor and has enjoyed great success with junior golfers, as more than 40 of his students have gone on to compete on the collegiate level at such established programs as Florida State, Florida and Southern Mississippi. During the 2017 season Coach Strano had a player win the DII National Championship and the prestigious Nicklaus Award. He has also taught a Super Bowl and Heisman Trophy winning quarterback, a two-time NCAA men’s basketball national championship coach, and several PGA Tour and LPGA Tour players. His PGA Tour players have led such statistical categories as Driving Accuracy, Total Driving and 3-Putt Avoidance, just to name a few. In 2003 Rob developed a nationwide outreach program for Deaf children teaching them how to play golf in sign language. As the Director of the United States Deaf Golf Camps, Rob travels the country conducting instruction clinics for the Deaf at various PGA and LPGA Tour events. Rob is also a Level 2 certified AimPoint Express Level 2 green reading instructor and a member of the FlightScope Advisory Board, and is the developer of the Fuzion Dyn-A-line putting training aid. * Golf Channel segments have included: Caddyshack Top Gun Final Countdown Gangnam Style The Carlton Playing Quarters Pump You Up

11 Comments

11 Comments

  1. Jim

    Apr 20, 2015 at 12:33 pm

    I was right beside Jordan when he hit that shot, and honestly it wasn’t a very difficult shot. Granted it was followed by a great putt, but I think an amateur that has a flop shot could get than within 15 feet 7/10 times. Making the putt probably 3/10, which makes it a great up and down for Spieth. But the actual flop shot admittedly wasn’t as difficult as it probably appeared on television.

    • Brutus

      Apr 20, 2015 at 1:41 pm

      Like the author said, make it with all the pressure and patrons literally breathing down your back? 1 in a 25 would be a reasonable number. The shot would be hard enough, then add the pressure putt on and maybe it gets to 1 in 50. Oh, one has to throw in the confidence factor after butchering the last hole with a double bogey too. 1 in 100…

      • jim

        Apr 22, 2015 at 12:34 am

        You get used to all that attention, I’m sure. The point is, the shot wasn’t that bad. The elevation was nearly nonexistent, the bunker really wasn’t in the way (Spieth and his caddie were discussing a bump and run in fact, which would be dumb), and the green had almost no undulation where the pin was. Also, the lie was perfect. Jordan even responded to Michael when asked “how is the lie,” and Spieth said “I’ll hit grass first.” I mean, as an amateur, do you ever hit off half grass/dirt lies and feel it’s a good flop position? He was in the perfect lie for a flop, almost a fake lie. Trust me, this was an easy shot. The fame/attention, he was used to already, as you would be as well if you had his fortune.

  2. Earl

    Apr 20, 2015 at 12:12 pm

    Reminds me of a video I bought from Monte.. All that video made me do was it it fat and tons of shanks. So want my money back from that piece of junk video.infact most of his videos are crap

    • Rob Strano

      Apr 20, 2015 at 7:45 pm

      Earl, thanks for your comment…
      Regarding your struggles, that is what happens when the club gets behind your hands going back and you lose angle of attack. Be sure you get vertical and the club stays outside your hands in the backswing. That should help you play the safety flop.

  3. Dennis Clark

    Apr 17, 2015 at 9:41 am

    Another example of how the game has changed. In the 56° wedge era, he makes bogey there.

    • Alex

      Apr 17, 2015 at 11:13 am

      In the 56° era only Seve Ballesteros could’ve done that!

    • moses

      Apr 17, 2015 at 12:56 pm

      “GET OFF MY LAWN”!!!!!!!!!

      Really!!! That’s all you have to say?

    • TR1PTIK

      Apr 20, 2015 at 9:08 am

      I’ve hit a couple of decent flops with my 56*, but it’s a very low percentage shot because of the additional bounce. Sometimes you just have to use your imagination and try something a little different. It might work, it might not.

      • Rob Strano

        Apr 20, 2015 at 7:47 pm

        I did not get a SW until I was in HS. So I learned to flop the ball with a PW from age 6 through 14! Your bounce needs to be adjusted for your conditions and you need to get your hands down to be sure you slide the flange across the ground not into the ground.

  4. PK

    Apr 16, 2015 at 2:46 pm

    Just watching Spieth set up for that shot gave me anxiety.

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Instruction

The Wedge Guy: What really needs fixing in your game?

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I always find it interesting to watch how golfers interact with the practice range, if they do so at all. I certainly can figure out how to understand that some golfers just do not really want to get better — at least not enough to spend time on the practice range trying to improve.

What is most puzzling to me is how many golfers completely ignore the rationale for going to the range to at least warm up before they head to the first tee. Why anyone would set aside 4-6 hours of their day for a round of golf, and then not even give themselves a chance to do their best is beyond me. But today, I’m writing for those of you who really do want to improve your golf scores and your enjoyment of the game.

I’ve seen tons of research for my entire 40 years in this industry that consistently shows the number one goal of all golfers, of any skill level, from 100-shooter to tour professional, is simply to hit better golf shots more often. And while our definition of “better” is certainly different based on our respective skill level, the game is just more fun when your best shots happen more often and your worst shots are always getting better.

Today’s article is triggered by what we saw happen at the Valspar tour event this past Sunday. While Taylor Moore certainly had some big moments in a great final round, both Jordan Spieth and Adam Schenk threw away their chances to win with big misses down the stretch, both of them with driver. Spieth’s wayward drive into the water on the 16th and Schenk’s big miss left on the 18th spelled doom for both of them.

It amazes me how the best players on the planet routinely hit the most God-awful shots with such regularity, given the amazing talents they all have. But those guys are not what I’m talking about this week. In keeping with the path of the past few posts, I’m encouraging each and every one of you to think about your most recent rounds (if you are playing already this year), or recall the rounds you finished the season with last year. What you are looking for are you own “big misses” that kept you from scoring better.

Was it a few wayward drives that put you in trouble or even out of bounds? Or maybe loose approach shots that made birdie impossible and par super challenging? Might your issue have been some missed short putts or bad long putts that led to a three-putt? Most likely for any of you, you can recall a number of times where you just did not give yourself a good chance to save par or bogey from what was a not-too-difficult greenside recovery.

The point is, in order to get consistently better, you need to make an honest assessment of where you are losing strokes and then commit to improving that part of your game. If it isn’t your driving that causes problems, contain that part of practice or pre-round warm-ups to just a half dozen swings or so, for the fun of “the big stick”. If your challenges seem to be centered around greenside recoveries, spend a lot more time practicing both your technique and imagination – seeing the shot in your mind and then trying to execute the exact distance and trajectory of the shot required. Time on the putting green will almost always pay off on the course.

But, if you are genuinely interested in improving your overall ball-striking consistency, you would be well-served to examine your fundamentals, starting with the grip and posture/setup. It is near impossible to build a repeating golf swing if those two fundamentals are not just right. And if those two things are fundamentally sound, the creation of a repeating golf swing is much easier.

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Clement: It’s hard to hit the driver badly when you’re doing this

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Mu and I go through the swing of the driver in slow motion to show the difference between hitting at the ball and then trying to move it to target versus collecting the ball from the top of the tee and releasing it into the flight plan. Check out the video to learn what this means for your golf swing.

Also: Congrats on Savy getting another personal best of 337 yards at the WLD event in Mesquite!

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How to hit a fade…according to YouTube, a robot, and GolfWRX members

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How to hit a fade. At some point, if you aren’t a habitual slicer of the golf ball and are able to hit a draw with regularity, in your quest to become a better golfer, you’re going to want to know how to do this.

Without debating the relative merits of a draw versus a fade, it’s agreed that working the golf ball both ways is key to to scoring, positioning off the tee, and risk minimization. If you’re a golfer who is currently only slinging draws, we have some advice for you on how to hit a fade from three very different sources.

Ben Hogan how to hit a fade

Ben Hogan: A man who knew how to hit a fade

 

How to hit a fade…

…according to a robot (that is, A.I. language model ChatGPT):

A fade is a type of golf shot that curves gently from left to right (for a right-handed golfer). If you want to know how to hit a fade, follow these steps:

  1. Set up for the shot: Aim your clubface at the target, but align your feet, hips, and shoulders slightly to the left of the target. This open stance will help promote a left-to-right spin on the ball.
  2. Grip the club: Hold the club normally, but slightly weaken your grip by turning your hands slightly to the left (again, for a right-handed golfer). This will help you hit the ball with an open clubface.
  3. Swing the club: On your backswing, keep your clubface square to the target for as long as possible. Then, on your downswing, try to swing slightly from the inside to out, which will help produce the left-to-right spin on the ball. Finally, make sure to follow through towards the target with a high finish.
  4. Practice: Hitting a consistent fade can take some practice. Spend time on the driving range and experiment with different grip and swing adjustments until you find what works best for you.

Remember, hitting a fade is not about hitting the ball harder, it’s about controlling the spin and direction of the ball. With practice, you can learn to hit a reliable fade that can help you navigate tricky golf course layouts.

Hitting a fade takes practice, and it may take some trial and error to find the right adjustments for your swing. It’s also important to note that a fade is not necessarily the ideal shot shape for every situation, so it’s important to be comfortable with hitting a variety of shots on the golf course.

How to hit a fade…according to the most-watched video on YouTube on the subject

With more than one million views on YouTube, this video from Any and Piers of MeAndMyGolf not only covers hitting a fade but also discussing drawing the golf ball as well as hitting it high and low.

…according to GolfWRXers

And of course, our GolfWRX forum members have opinions on the subject.

The appropriately named PreppySlapCut said: “If the face is open to the path, the ball is going to fade. There’s several adjustments you can make to encourage that to happen, it’s just a question of what feels best for you and allows you to do it most consistently.”

Bladehunter says: “For me just the sensation of taking the club back outside your hands , and then swing left with a face square to target , while turning hard as you can makes for a pretty straight flight that won’t hook. Unless you stall and let your hands pass you.”

“That’s my take as an upright swinger If you’re really flat it’s going to be tough to time up and never have the two way miss Because you’re always coming from the inside and will rely on timing the face open or shut to see a fade or draw . For me it’s just set the face at address and feel like you hold it there until impact”

Dpd5031 says: “Had a pro teach me this. Aim a little left, stance slightly open, still hit it from the inside (just like your draw), but unwind chest hard letting handle follow your rotation so toe never passes heel. He called it a “drawy fade.” Ball takes off almost looking like it’s going to draw, but tumbles over to the right instead of left. Cool thing is ya dont give up any distance doing it this way as opposed to cutting across it.”

Scottbox says: “Jon Rahm is a good example. Watch the hand path of his backswing– his hands are not as “deep” as someone who draws the ball (i.e. Rory). And even though he has a slightly shut face, Rahm rotates his chest and hips very hard. Because there’s less depth to his backswing, the club gets more in front of him at P6. He’s most likely 1-2* outside in at last parallel. Brooks Koepka has a longer swing, but similar, in terms of his hand path– well above the shaft plane going up with less depth to his hands at the top, and slightly above the plane coming down.”

“Most good modern players rotate pretty hard with their hips and chest to stabilize the face, but the difference between those who draw it and those who hit a baby cut is often seen in the way they “engineer” their backswing patterns.”

Check out more of the “how to hit a fade” discussion in the forum thread.

 

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