Instruction
By the numbers: How to hit a draw
Doppler radar launch monitors have proved at least two things about ball flight.
- The golf club’s face angle at impact controls the ball’s starting direction.
- The club’s path influences the ball’s curvature.
Simply put, this means that ball flight will begin in the direction that the face is pointing at impact and curve away from the path of the club.
So, in order for a right-handed golfer to move the ball from right to left — the goal of most golfers — the face angle at impact must be between the path of the club and the target line. I have shown you what this look like at impact in a previous article “The Technique you Need to Hit a Proper Draw,” but today I’d like to add in the Trackman data to show you how important the face-to-path relationship really is.
Below is the classic push-draw swing where the path is right of the target and the face angle is slightly left of the path. This causes the ball to begin to the right of your target before curving back to the pin.
As you can see above, the path is moving from inside to outside at 4.5 degrees. The face at impact is 1.2 degrees right of the target, but 3.3 degrees left of the path. Now, examine the ball flight motion in the upper left screen. This shot starts out to the right and curves back to the target because of the relationship I just described above. In the true draw, you impact the ball with an open (not closed) club face as I will explain below.
One common mistake I see in amateurs trying to hit draws is the over-closing of the face at impact. That causes the ball to begin too much in-line with the target before curving to the left. In the Trackman screenshot below, you can see that the path is 1.9 degrees in-to-out, however, the clubface at impact is pointing at the target — 0.1 degree. That’s basically “0,” which means the face is pointed almost directly at the target. Now look at the top left ball flight screen; this ball started around the target-line and curved away from it, missing too far to the left.
The final swing pattern I see on the lesson tee with students trying to hit a draw is that they have the club face left of the target at impact. This causes the dreaded pull draw. As you can see below, the path is moving from inside to outside at 1.8 degrees. The face at impact is 1.2 degrees left of the target. That’s why this ball started left of the target and moved farther left. Golfers should know that this is a face issue, NOT a path issue! The key to curing this is not to swing more from in to out. If so, the ball would start even farther left!
Remember, in order to hit a push draw you need an in-to-out path and a face angle at impact that is pointing left of the path at impact, yet still right of the target so the ball will start right of the target before curving back on line.
I hope that you now see and understand how a draw is created and what you can do to control it on a consistent basis!
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Instruction
Clement: Stop ripping off your swing with this drill!
Not the dreaded headcover under the armpit drill! As if your body is defective and can’t function by itself! Have you seen how incredible the human machine is with all the incredible feats of agility all kinds of athletes are accomplishing? You think your body is so defective (the good Lord is laughing his head off at you) that it needs a headcover tucked under the armpit so you can swing like T-Rex?
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Instruction
How a towel can fix your golf swing
This is a classic drill that has been used for decades. However, the world of marketed training aids has grown so much during that time that this simple practice has been virtually forgotten. Because why teach people how to play golf using everyday items when you can create and sell a product that reinforces the same thing? Nevertheless, I am here to give you helpful advice without running to the nearest Edwin Watts or adding something to your Amazon cart.
For the “scoring clubs,” having a solid connection between the arms and body during the swing, especially through impact, is paramount to creating long-lasting consistency. And keeping that connection throughout the swing helps rotate the shoulders more to generate more power to help you hit it farther. So, how does this drill work, and what will your game benefit from it? Well, let’s get into it.
Setup
You can use this for basic chip shots up to complete swings. I use this with every club in my bag, up to a 9 or 8-iron. It’s natural to create incrementally more separation between the arms and body as you progress up the set. So doing this with a high iron or a wood is not recommended.
While you set up to hit a ball, simply tuck the towel underneath both armpits. The length of the towel will determine how tight it will be across your chest but don’t make it so loose that it gets in the way of your vision. After both sides are tucked, make some focused swings, keeping both arms firmly connected to the body during the backswing and follow through. (Note: It’s normal to lose connection on your lead arm during your finishing pose.) When you’re ready, put a ball in the way of those swings and get to work.
Get a Better Shoulder Turn
Many of us struggle to have proper shoulder rotation in our golf swing, especially during long layoffs. Making a swing that is all arms and no shoulders is a surefire way to have less control with wedges and less distance with full swings. Notice how I can get in a similar-looking position in both 60° wedge photos. However, one is weak and uncontrollable, while the other is strong and connected. One allows me to use my larger muscles to create my swing, and one doesn’t. The follow-through is another critical point where having a good connection, as well as solid shoulder rotation, is a must. This drill is great for those who tend to have a “chicken wing” form in their lead arm, which happens when it becomes separated from the body through impact.
In full swings, getting your shoulders to rotate in your golf swing is a great way to reinforce proper weight distribution. If your swing is all arms, it’s much harder to get your weight to naturally shift to the inside part of your trail foot in the backswing. Sure, you could make the mistake of “sliding” to get weight on your back foot, but that doesn’t fix the issue. You must turn into your trial leg to generate power. Additionally, look at the difference in separation between my hands and my head in the 8-iron examples. The green picture has more separation and has my hands lower. This will help me lessen my angle of attack and make it easier to hit the inside part of the golf ball, rather than the over-the-top move that the other picture produces.
Stay Better Connected in the Backswing
When you don’t keep everything in your upper body working as one, getting to a good spot at the top of your swing is very hard to do. It would take impeccable timing along with great hand-eye coordination to hit quality shots with any sort of regularity if the arms are working separately from the body.
Notice in the red pictures of both my 60-degree wedge and 8-iron how high my hands are and the fact you can clearly see my shoulder through the gap in my arms. That has happened because the right arm, just above my elbow, has become totally disconnected from my body. That separation causes me to lift my hands as well as lose some of the extension in my left arm. This has been corrected in the green pictures by using this drill to reinforce that connection. It will also make you focus on keeping the lead arm close to your body as well. Because the moment either one loses that relationship, the towel falls.
Conclusion
I have been diligent this year in finding a few drills that target some of the issues that plague my golf game; either by simply forgetting fundamental things or by coming to terms with the faults that have bitten me my whole career. I have found that having a few drills to fall back on to reinforce certain feelings helps me find my game a little easier, and the “towel drill” is most definitely one of them.
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Instruction
Clement: Why your practice swing never sucks
You hear that one all the time; I wish I could put my practice swing on the ball! We explain the huge importance of what to focus on to allow the ball to be perfectly in the way of your practice swing. Enjoy!
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Josh
Dec 21, 2014 at 6:21 pm
Click Here!
CD
Oct 16, 2014 at 3:52 pm
One thing no-one talks about is how path can control face which determines direction, nor that the feel of a draw is a closing face. Let me explain!
If I say, suck the club inside, and my brain squares the club face to the now inside arc, I’m going to hit a push. And people will spend all day thinking ‘the face is open, better close it/square it. Then they get in a hell of a mess.
Every time I mention this someone says ‘that’s the old ball flight laws’. It’s not! I’m saying the face determines direction, just that the path determines face, for some players. I happen to believe this happens for many, many players. So perhaps the key is to get the path sorted first?
I’d be interested to know what you think Tom. Another key thing I see people fouling up is they try and have an open face through the ball to hit the ‘new’ ‘push draw’ and having already established an in to out arc they end up having it open to the arc or square to the arc. I think it is definitely a feeling of the face being inside or closed or closing to the arc. I think that needs to be paramount before the player tries to establish that closed club face to be open to the target. After all, again, no-one says why, despite being ‘wrong’ the ‘old ball flight’ laws did work most of the time (until you say, set the face at a tree you were trying to bend it round!) or at least were believed to work most of the time and seemed to do so too – the key principle in both being a divergence between face and path – closed for a draw and open for a fade and that the face is easier (or more sensitive to inputs) to control, and the path (or perhaps, outer boundary of the ball-flight) easier to establish with the swing or players aim.
CD
Oct 16, 2014 at 3:56 pm
Hence my old instructor’s ‘send it out there with the path (to the right), bring it back with the face’ never failed.
Tom Stickney
Oct 19, 2014 at 2:56 pm
Not quite sure what you mean. Sorry.
Mike
Oct 13, 2014 at 2:23 pm
Tom,
The face and path angles you show are pretty small angles. If you have someone swinging 4°-8° out, but the face relationship is not closed enough (2°-4° closed to target, right?) and hitting big pushes would you say that is a path, face or both problem? In other words, at what point is path the big issue and not the face?
No secret, that “someone” is me….
Jim_0068
Oct 13, 2014 at 2:51 pm
Couple things: One thing this article didn’t take into account was angle of attack (unless i missed it, i did read it twice), the more you hit down the more true path gets pushed to the right or in/out. For simplicity, imagine a driver..if you swing in/out 4 degrees and your face is open 2 degrees at impact and you hit down 2 degrees, you aren’t 2 closed closed you are 4 degrees closed as generally with a driver every 1* up/down will change the path 1* (down more right and up more left) so 4* in/out + 2* down = 6* true path in/out. Also with a player like yourself, who i’m going to assume is a decent player, you would usually fix your path (or AOA which you didn’t list) and leave the face alone. That much in/out will create very large push-draws (if you opened your face more) and you’d have trouble getting long irons in the air as your are delofting it so much.
Jafar
Oct 13, 2014 at 4:42 pm
you should write an article.
Jim_0068
Oct 13, 2014 at 5:37 pm
Thanks for the compliment, however everything tom wrote is 100% accruate and i agree with and the tendencies of the players he describes. I would have liked to see the angle of attack taken into account as well.
Tom Stickney
Oct 14, 2014 at 12:13 pm
Jim– did an earlier article on swing direction and aoa. Might check it out.
Thomas Beckett
Oct 14, 2014 at 1:23 am
I just wanted to add that a 1 to 1 relationship only applies if the club is delivered on a 45 degree angle. Great article Tom and nice post Jim_0068. Breaking down DPlane into practical numbers is tough to explain well.
Tom Stickney
Oct 14, 2014 at 12:13 pm
Correct
Tom Stickney
Oct 14, 2014 at 12:12 pm
Jim-
When talking about irons it isn’t a 1/1 ratio so aoa isn’t as big of a factor but it’s still very important. Sometimes on the lesson tee you have to do both. Wish it was cut and dry but it’s not. Lastly when a face is opened usually that adds loft not deducts loft as you stated. Thx.
Jim_0068
Oct 14, 2014 at 3:53 pm
Tom
I know that which is why I just used driver as an example since in general it’s about a 1/1.
Tom Stickney
Oct 14, 2014 at 12:06 pm
With that in to out path it could be gear effect from heel hits causing the pushes
Tom Stickney
Oct 14, 2014 at 12:08 pm
Mike– your comment posted below… Heel hits causing pushes?
Mike
Oct 15, 2014 at 9:52 am
No heel hits causing the blocks (talking irons here for most part), just face not closed to path.
I was wondering with a path that sometimes gets to that 8* mark if you as an instructor would work to match the face and hit bigger draws or would you work on path to get it more neutral?
My well struck shots are not big sweeping hooks so I do have a very hard time presenting the face at an acceptable angle when the path gets way in to out. In other words, when I start swinging 8* out I’m probably blocking it.
Thanks for the hard work on the articles. I always enjoy reading them.
Mike
Oct 15, 2014 at 9:53 am
2*-4* closed to PATH! Oops….
Tom Stickney
Oct 15, 2014 at 7:17 pm
Mike. If it was 8 in to out I’d make it a touch less.
Will
Oct 13, 2014 at 12:21 pm
Is there a good drill to practice keep the face angle slightly more open at impact?
Jim_0068
Oct 13, 2014 at 2:53 pm
As long as you’re a righty, bend your left wrist more in the backswing; feel like your left thumb is more “under” the club at the tope. This will help you open the face more (if that is what you need).
Jeremy
Oct 13, 2014 at 7:03 pm
I’m hardly a great authority, but I’ve found that weakening my grip helps a little.
Tom Stickney
Oct 14, 2014 at 12:17 pm
Be careful with wrist angle and grip changes. Big big alterations for sometimes a small issue. Start with small fixes before the tough ones.
Tom Stickney
Oct 14, 2014 at 12:14 pm
Will– set a stick in line with your target. Hit draws around the stick