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Use proper camera alignment when filming your swing



Have you ever taken a camera to the golf course or practice range, recorded your swing, and thought “Hmm, I thought I was better than that?” On the other hand, have you been afraid to take your camera to your nearest golf facility because you did not know how to set it up correctly?

Camera position is extremely important, and it is often neglected by average golfers and some golf professionals. The point of this article is to teach golfers how to properly set up a camera to video their swing from different positions. The position of the camera can change the appearance of your golf swing in many respects, and it is equally important to set up the camera properly as it is to recognize when it is done improperly.

The first step is getting the right camera. I use two cameras in my swing instruction. I work for GolfTEC, and we use a camera equivalent to a Sony GigE, which is a very expensive high-resolution, high-speed camera used for slow-motion analysis. In addition, I own two other cameras for my instruction business that I started before I took the job teaching for GolfTEC-Philadelphia, the Michael Wheeler Learning Center, LLC.

I own both a Casio EX-FH100 high-speed camera and a Sony GigE camera. I use the Casio on the golf course, while I use the Sony GigE in coordination with my JC Video software, which was set up by Mark Connell, the owner of JC Video. I also own a tripod that I can adjust the leg length and height depending on the situation to ensure a level camera position. Now, I don’t expect golfers to go purchase a $1,000 camera to videotape their swings, as most digital cameras are good now for these purposes. I recommend a camera with at least 30 frames per second recording capability, and something with at least 640 x 480 recording pixels so you can see your video clearly. Now to the second step, which is to understanding how to properly set up the camera.

There are two primary camera positions when you will videotape your golf swing: down-the-line and face-on.

How to setup the down the line camera

Down-the-line essentially means that the camera is pointing down the target line. There are three positions that Golf Magazine Top-100 instructors and other great instructors use when setting up a down-the-line swing video. The first is on the hands, keeping the HANDS between the camera and the target (photo 1). The second is set up on the target line, keeping the BALL between the camera and the target (photo 2). The third, final, and probably least used, camera position is set up on a golfer’s foot line, keeping the FEET between the camera and the target (photo 3).

Photo 1

Proper Hand Line Camera

 Photo 2

Proper Target Line Camera

 Photo 3

Proper Feet Line Camera

My mentor in the business is Ted Sheftic, a Golf Magazine Top-100 instructor, and Pennsylvania’s No. 1 teacher as ranked by Golf Digest. I have been working with Ted for more than 15 years, and he taught me using the camera position set up on the hands. So, for purposes of this article (and any of my future articles), we will talk about setting up the camera in that position. Follow these steps to set up a down-the-line swing video in the proper position:

  • Place the camera on a tripod and set the height to EXACTLY hand height and level.
  • Set up a ball from where the golfer will be hitting and set up to that ball.
  • Place a club on the ground PARALLEL to the target line directly underneath your hands.
  • This should be approximately 3-to-4 inches in front of the feet at address, between a golfer’s toes and the ball.
  • Line up the camera directly in line with the hand line (the shaft used to represent the hand line should be perfectly straight in the camera’s viewfinder — see photo)
  • Hit record!

After a while, golfers will be able to set up down-the-line swing videos very quickly and efficiently, and golfers can quicken the process with the help of a friend or family member. If you decide to use the other camera positions, remember that those will change the LOOK of your swing when you review the swing, which will be discussed in the next article.

How to setup the face on camera

Lastly, let’s discuss how to set up a face-on swing video. If you have only one camera, make sure you mark the position of the down the line  tripod position before moving to avoid having to repeat the steps mentioned above again. You can use duct tape, tees, etc., to do this. Most of the steps for a face-on video will be the same as the down-the-line, but they are modified to be appropriate for the different position.

  • Assure the camera is still at hand height and level.
  • Set up a ball from where the golfer will be hitting.
  • Place a club on the ground PERPENDICULAR to the target line (form a “T” with the target line club and the ball position club) in line with the golf ball. This will represent the ball position between a golfer’s feet and in relation to his or her body.
  • Line up the camera so that the golfer is directly in the middle of the camera’s viewfinder.
  • Hit record!

Follow these steps and set up the camera in the same place every time to ensure consistency and help track swing process. In the next article, I will explain golfers you will be able to see from each position, and also what golfers would see if you set up the camera in the wrong position.

Remember, it is best to consult a PGA professional before making swing changes. You wouldn’t prescribe yourself medicine without seeing a doctor, so don’t try to fix your golf swing without professional advice. Best of luck and keep practicing!

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Michael Wheeler is a Golf Digest "Best Young Teacher in America." He's the PGA Teaching Professional at Whitford Country Club in Exton, Pennsylvania, a private club roughly 35 minutes west of Philadelphia in beautiful Chester County. Michael is PGA certified in teaching and coaching. He's mentored by Ted Sheftic, a GOLF Magazine Top-100 Teacher who is Pennsylvania's No. 1-ranked Teacher and a four-time winner of the Philadelphia PGA Section Teacher of the Year Award. Michael has also been mentored by Mike Adams, the 2016 National PGA Teacher of the Year, a Golf Magazine Top-100 Teacher, and a Golf Digest Top-50 Instructor (he's No. 2). Michael has been a speaker at several Philadelphia PGA education events for Section PGA Professionals, as well as a speaker at the 2016 and 2017 Philly Golf & Expo Show in Oaks, PA. His certifications to include: -- BioSwing Dynamics Level 1 Instructor -- Trackman Level 1 and 2 Certified Instructor -- Trackman Operator -- PGA Certified Professional: Teaching and Coaching -- K-Vest Level 1 and 2 Certified Instructor -- Certified Level 1 Golf Biomechanist: Dr. Young-Hoo Kwon Michael played NCAA Division I golf for Stetson University for three years, competing against the likes of current PGA Tour stars Russell Knox and Jonas Blixt. After his amateur career, Michael turned professional and became a member of the former NGA Hooters Tour in 2007 playing with other PGA Tour players such as Billy Hurley III, Scott Brown, and Matt Every to name a few. To learn more about Michael or contact him directly, please visit his website.



  1. Tom McCarthy

    Feb 17, 2014 at 11:29 am

    I like to have another view of the golfer’s swing, from directly behind them in order to look at the action of the hips, legs, and shoulders from this angle. Its a great feedback view on how much the hips move laterally on the backswing and downswing.

    • Michael Wheeler

      Feb 17, 2014 at 5:55 pm

      That is true… I just covered the two most popular views of face on and down the line. However, the camera position for the behind camera will be set up in the same manner of the face on camera. The behind camera is an excellent resource when working on weight shift, seeing the hips, etc, like you said.

  2. Shawn Smith

    Jan 19, 2014 at 8:45 pm

    This article came out at the right time. I just got a sony action cam for christmas to go along with my V1 premium mobile app. I will be filming my swing for the first time this year. I used to get instruction from Goltec in Berwyn PA and buy my gear at the willow grove golfsmith. I’ll look you up if I ever decide to get Golftec lessons again. Great information here!

  3. Pat C

    Jan 19, 2014 at 2:07 pm

    Forgot to ask a question. What about setup for recording your putting?

    • Michael Wheeler

      Feb 17, 2014 at 5:53 pm

      Pat, the same rules will apply, and it goes a little deeper in the next article, which is being published this week. With putting the only two spots I personally use for putting is the hands (set up the same way) to see the entire stroke (body and club). I will also sometimes put the camera on the target line on the ground (explained in the next article), with a close up view of the putter head and maybe about a foot of the shaft. This will show you the arc of the stroke and whether it is inside and down the line, straight back to straight through, etc.

      Hope this helps.

  4. Pat C

    Jan 19, 2014 at 2:04 pm

    Enjoyed the tips for setting up video camera. Will be looking for next article.

  5. jl

    Jan 17, 2014 at 8:50 pm

    Sorry, quite confusing. Saying “keeping the hands between the camera and the target” literally could mean the camera being placed anywhere, as long as it was behind the golfer. If you really meant “keeping the hands on a Line between the camera and the target, that’s not what your photo shows. A line from the camera to the hands does not extend to the target. In your next example, “keeping the ball between the camera and the target”, I believe you meant “keeping the ball on a Line between the camera and the target”, this is in fact what you did. A line from the camera goes straight to the ball and then to the target.

    • Michael Wheeler

      Jan 27, 2014 at 9:59 am

      jl sorry it took so long to get back to you. When I was writing this I had to debate how to word it to make it as easy to understand as possible. The reason why it appears that the target is not on the hands in the pictures is due to the fact that the net in front of me is only about 10 feet away. If the target were to be further away it would appear as if the hands are closely in line with the target (ideally the hands should be in the center of your screen, but you need to make sure it is lined up). If you use the simple steps with the clubs it will help you set it up directly in line with the hands. The next article will be more in depth with where in height the camera should be when it is on the target line versus the hands, and what you will see if you do it incorrectly. So stay tuned!

  6. WRG

    Jan 16, 2014 at 5:38 pm

    I like your last comment, but my job doesn’t offer golf insurance, also known as Sh*nk insurance.

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The Wedge Guy: Short game tempo



One of my favorite things to do is observe golfers closely, watching how they go about things from well before the shot to the execution of the swing or stroke. Guess the golf course has become kind of like going to the lab, in a way.

One thing I notice much too often is how “quick” most golfers are around the greens. It starts with grabbing a club or two from the cart and quickly getting to their ball. Then a few short jabs at a practice swing and usually a less-than-stellar result at a recovery.


If you are going to spend a morning or afternoon on the course, why hurry around the greens? I tend to be a fast player and despise five-hour rounds, but don’t fault anyone for taking a few seconds extra to get “right” with their recovery shot. You can still play “ready golf” and not short yourself in the close attention to execution. But let me get back to the specific topic.

Maybe it’s aggravated by this rush, but most golfers I observe have a short game tempo that is too quick. Chips, pitches and recoveries are precision swings at less than full power, so they require a tempo that is slower than you might think to accommodate that precision. They are outside the “norm” of a golf swing, so give yourself several practice swings to get a feel for the tempo and power that needs to be applied to the shot at hand.

I also think this quick tempo is a result of the old adage “accelerate through the ball.” We’ve all had that pounded into our brains since we started playing, but my contention is that it is darn hard not to accelerate . . . it’s a natural order of the swing. But to mentally focus on that idea tends to produce a short, choppy swing, with no rhythm or precision. So, here’s a practice drill for you.

  1. Go to your practice range, the local ball field, schoolyard or anywhere you can safely hit golf balls 20-30 yards or less.
  2. Pick a target only 30-50 feet away and hit your normal pitch, observing the trajectory.
  3. Then try to hit each successive ball no further, but using a longer, more flowing, fluid swing motion than the one before. That means you’ll make the downswing slower and slower each time, as you are moving the club further and further back each time.

My bet is that somewhere in there you will find a swing length and tempo where that short pitch shot becomes much easier to hit, with better loft and spin, than your normal method.

The key to this is to move the club with the back and through rotation of your body core, not just your arms and hands. This allows you to control tempo and applied power with the big muscles, for more consistency.

Try this and share with all of us if it doesn’t open your eyes to a different way of short game success.

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The Wedge Guy: The core cause of bad shots



You are cruising through a round of golf, hitting it pretty good and then you somehow just hit an absolutely terrible shot? This isn’t a problem unique to recreational golfers trying to break 80, 90, or 100 — even the best tour professionals occasionally hit a shot that is just amazingly horrible, given their advanced skill levels.

It happens to all of us — some more frequently than others — but I’m convinced the cause is the same. I call it “getting sloppy.”

So, what do I mean by that?

Well, there was a USGA advertising campaign a while back feature Arnold Palmer, with the slogan “Swing Your Swing.” There’s a lot of truth to that advice, as we all have a swing that has — either frequently or occasionally – produced outstanding golf shots. While there is no substitute for solid mechanics and technique, I’ve always believed that if you have ever hit a truly nice golf shot, then your swing has the capacity to repeat that result more frequently than you experience.

The big question is: “Why can’t I do that more often?”

And the answer is: Because you don’t approach every shot with the same care and caution that you exhibit when your best shots are executed.

To strike a golf ball perfectly, the moon and stars have to be aligned, regardless of what your swing looks like. Your set-up position must be right. Your posture and alignment have to be spot-on. Ball position has to be precisely perfect. To get those things correct takes focused attention to each detail. But the good news is that doing so only takes a few seconds of your time before each shot.

But I know from my own experience, the big “disrupter” is not having your mind right before you begin your swing. And that affects all of these pre-shot fundamentals as well as the physical execution of your swing.
Did you begin your pre-shot approach with a vivid picture of the shot you are trying to hit? Is your mind cleared from what might have happened on the last shot or the last hole? Are you free from the stress of this crazy game, where previous bad shots cause us to tighten up and not have our mind free and ready for the next shot? All those things affect your ability to get things right before you start your swing . . . and get in the way of “swinging your swing.”

So, now that I’ve outlined the problem, what’s the solution?

Let me offer you some ideas that you might incorporate into your own routine for every shot, so that you can get more positive results from whatever golf swing skills you might have.

Clear your mind. Whatever has happened in the round of golf to this point is history. Forget it. This next shot is all that matters. So, clear that history of prior shots and sharpen your focus to the shot at hand.

Be precise in your fundamentals. Set-up, posture, alignment and ball position are crucial to delivering your best swing. Pay special attention to all of these basics for EVERY shot you hit, from drives to putts.

Take Dead Aim. That was maybe the most repeated and sage advice from Harvey Penick’s “Little Red Book”. And it may be the most valuable advice ever. Poor alignment and aim sets the stage for bad shots, as “your swing” cannot be executed if you are pointed incorrectly.

See it, feel it, trust it. Another piece of great advice from the book and movie, “Golf’s Sacred Journey: Seven Days In Utopia”, by Dr. David Cook. Your body has to have a clear picture of the shot you want to execute in order to produce the sequence of movements to do that.

Check your grip pressure and GO. The stress of golf too often causes us to grip the club too tightly. And that is a swing killer. Right before you begin your swing, focus your mind on your grip pressure to make sure it isn’t tighter than your normal pressure.

It’s highly advisable to make these five steps central to your pre-shot routine, but especially so if you get into a bad stretch of shots. You can change things when that happens, but it just takes a little work to get back to the basics.

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Stickney: To stack or not to stack at impact?



As you look at the impact positions of the best players in the world, you will find many different “looks” with respect to their body and club positions. Some of these impact positions might even appear unique, but don’t be fooled. They all have one thing in common: preserving the players’ balance throughout the impact interval! In fact, if you are not in-balance, then you will lose power, consistency, and have trouble controlling your launch dynamics from shot to shot.

This balance is a necessary key to playing well and one area that can be easily understood with a few graphics shown on GEARS 3D. As you examine the photo in the featured image, you can see a few things:

  • The player on the left has “fallen” backwards through impact slightly moving his head out of the circle established at address
  • The player on the right is more stacked at impact — meaning that his chest, zipper and hands are all in the same place at the same time (within reason)
  • The player on the left has reached this same position in the swing with different segments of the body reaching the ball at different times
  • There will be a difference of impact shaft lean between the two players due to one player reaching impact “together” and the other shoving his hands more forward as he falls back
  • The player on the right is more “connected” through impact…won’t be the longest hitter but will be able to find the ball in the fairway more often
  • The player on the left is putting more pressure on the rear portion of the lower back which could have a potential for injury if he’s not careful

Now, obviously there are pro and cons to both positions. Overall, if you want to be consistent and in-balance more often that not, I would suggest you try your best to focus on being “stacked” when you hit the ball.

Let’s dive in a touch deeper to show you what happens physiologically on 3D when you fall back through impact and I think it will really drive the point home.

  • At address notice the Vertical Spine Number 96.2, this is showing us where the spine is positioned at address
  • You can see the head is in the center of the bubble

  • On the way to the top of the swing you can see that the spine has moved “away” from the target laterally a slight bit to 98 degrees
  • The head has dropped downward and has also moved laterally as well- more lean over the right leg to the top

Now here is where the problem comes in…as you work your way to the top, it’s ok of your head moves a touch laterally but in transition if it stays “back” while your hips run out from under you then you will begin to fall backwards on the way to your belt-high delivery position.

  • We can see at the delivery position that the spine has continued to fall backwards as the hips rotate out from under the upperbody
  • When this happens the hands will begin to push forward- dragging the handle into the impact zone
  • Whenever you have too much spin out and fall back the hands move forward to accommodate this motion and this reduces your Angle of Attack and decreases your dynamic loft at impact
  • This will cause balls to be hit on the decent of the club’s arc and reduce loft making shots come out lower than normal with a higher spin rate and that means shorter drives

Now let’s examine impact…

  • The player on the left has reached impact in a more disconnected fashion versus the player on the right as you compare the two
  • The player on the right has a shaft lean at impact that is less than a degree (.75) while the player on the left has a much more noticeable forward lean of the shaft thereby reducing dynamic loft at impact

  • The player on the left’s spine has moved from 96.2 to 112.9, a difference of 16.7 degrees while the player on the right has only moved back a few degrees. We know this because his head has stayed in the bubble we charted at address
  • The hips have run out from under the player on the left in the downswing and this causes the head to fall back more, the hands to push forward more, and the impact alignments of the club to be too much down with very little dynamic loft (as also shown in the photo below)

Whenever the hips turn out from under the upper body then you will tend to have a “falling back effect of the spine and a pushing forward of the hands” through impact.  Notice how the hips are radically more open on the player on the right versus the left- 27.91 versus 42.42 degrees.

So, now that we can see what happens when the hips spin out, you fall back, and you fail to be “stacked” at impact let’s show you a simple way you can do this at home to alleviate this issue.


  • A great drill to focus on being more stacked at impact is to make slow motion swings with the feeling that the upper portion of your arms stay glued to your chest
  • These shots will be full swings but only 20% of your total power because the goal here is connection which allows everything to reach impact together and in-balance
  • The second thought as you make these swings is to pay attention to your head, if you can focus on allowing it to stay “over the top of the ball” at impact you will find that it will stay put a touch more so than normal. Now this is not exactly how it works but it’s a good feeling nonetheless
  • Once you get the feeling at 20% speed work your way up to 50% speed and repeat the process. If you can do it here then you are ready to move up to full swings at top speed

Finally, don’t forget that every golfer’s hips will be open at impact and everyone’s head will fall back a touch — this is fine. Just don’t over-do it! Fix this and enjoy finding the ball in the fairway more often than not.

Questions or comments? [email protected]





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