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Lee Trevino: 10 Rules For Hitting All The Shots

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By Lee Trevino
With Guy Yocom
Photos by Walter Iooss Jr.
April 2009
Written for Golf Digest

01 The easiest shot is the best shot.
Chi Chi Rodriguez had as good a pair of hands as anybody I ever saw, and more shots than you can imagine. But Chi Chi had a habit of turning simple shots into difficult ones. If he had 140 yards from the middle of the fairway, he would deliberately hit a low hook or a high fade, just for his own amusement or to please the fans. He needed the stimulation, I guess, but it worked against him. Remember, the goal is to get the ball from Point A to Point B in as straightforward a manner as you can. Don’t try circus shots unless you absolutely have to.

02 Simplify draws and fades.
Jack Nicklaus liked to curve the ball by opening or closing the clubface at address. I never felt I was good enough to do it his way. I didn’t like changing my swing path, either, which some guys do. There’s only one really reliable way to curve the ball: Change your hand position at address. If you want to hit a draw, move your hands forward, toward the target, so they hide your left shoe when you look down. Make sure the clubface is square to the target, and then make your normal swing. When you get to impact, your hands will naturally be farther back than that exaggerated position they started in. When the hands move backward, the clubface closes. You don’t have to do anything. To hit a fade, do the opposite: Set up with your hands back, behind the ball. At impact they’ll be more forward, and the face slightly open.

03 Let the club do your shotmaking.
Before the 1987 Skins Game at PGA West, I visited the TaylorMade plant and saw an odd-looking little metal wood in a barrel. It had the number 7 stamped on it, which got my attention because 7-woods were unheard of. “It’s a prototype,” their man said. “Not for sale.” He offered to let me take it home, though. That little club turned out to be the best stick I ever had. I could hit it high or low, draw or fade it, hit it 165 yards or 210, all with barely changing my swing. After I hit a 190-yard fairway-bunker shot over water to five feet on the ninth hole at that Skins Game—a shot I couldn’t possibly have played with an iron—my phone wouldn’t stop ringing. Everybody wanted to know where to get a club like mine. The equipment choices today are even better, with all kinds of hybrid and fairway-wood designs. My point is, there’s no sense trying to squeeze something out of your swing if you can let your clubs do the shotmaking for you.

04 To hit it low, crowd the ball.
I always loved hitting a low fade to a back-right pin with the wind howling from the right. Not many guys could get it close in that situation, because they kept it low by just putting the ball back in their stance. You see, playing the ball back turns you into a one-trick pony—you can only hit hooks. The best way to hit it low—and I’ve never talked about this before—is to stand closer to the ball. Flex your knees and crowd the ball so your hands are only a couple inches from your body. You’ll get the feeling that you’re going to hit a shank, so you’ll instinctively straighten your legs and raise your upper body through impact. When you stand up like that, your hands tend to get ahead of the clubhead, delofting the face and setting up a low cut. If this sounds complicated, read it again—it’s worth it. As for hitting it high, the thing that worked best for me was to play the ball forward and make sure I kept my head as far behind the ball as possible through impact. But keep in mind, this is coming from a low-ball hitter.

05 Don’t choke down.
I love watching Anthony Kim play, but I’m not a fan of the way he grips down a good two inches on his full-swing shots. Choking down lightens the club’s swingweight and effectively makes the shaft stiffer. It also makes it difficult to hit the ball high enough for all situations. But the worst thing is, it gets you into the habit of hitting every shot with 100-percent effort: Instead of hitting a smooth 7-iron with a normal grip, the player who chokes down tends to shorten the 7-iron and hammer the hell out of it. I like the idea of gripping down on chips and pitches, because it can give you more control, but avoid doing it with anything longer than a 9-iron.

06 Learn to beat the fluffy lie.
Besides the long bunker shot, the hardest shot in golf is the 80-yard wedge from light rough. The ball has a tendency to “dip,” or fall out of the sky, because it has so little backspin coming out of that lie. How much it dips depends on the exact lie, your swing speed, the wedge you’re using and the swing you make. If you don’t judge those things right, the ball will fly anywhere from five to 20 yards short of normal and with no spin—that means a lot of balls bouncing over or falling short. Learn the nuances of the fluffy lie, and tailor your swing to fit it. This is really the essence of shotmaking: having a good idea how the ball will behave coming out of all the various situations. Take another good one: mud on the ball. From my experience, taking two clubs more and hitting it hard often works. You’ll probably knock the mud off, but then again, it depends on how much mud you’re talking about. You learn those things only by trying them yourself.

07 Don’t invent shots from trouble.
Seve Ballesteros was the best trouble-shot player who ever lived. It didn’t matter how far in the woods you put that guy, he’d find a way to get out. But Seve inadvertently put a lot of big numbers on the scorecards of average players, because he inspired them to take dumb chances. When your ball is in trouble, the desire to save par can really warp your judgment. That opening in the trees is smaller than what you see, the lie worse, the odds of pulling off the shot perfectly much smaller than you probably imagine. Trouble shots usually require you to do something crazy with shot trajectory, and that’s a guessing game even for the best pros. Keep in mind, the trouble shot you’re about to try is a make-or-break deal. You have only one shot at it, and the consequences are more disastrous than on a shot from the fairway. Seve might have played poker when he was in trouble, but the average guy should stick to checkers. Take the shortest route back to short grass, and move on.

08 Weaken a strong grip.
Changing from a strong grip to a neutral or slightly weak one takes time and is not easy, but it’s a great way to become a versatile player. I played in a tournament with Ben Hogan toward the end of his career, around 1970, and even then there wasn’t a shot he couldn’t hit with ease. Mostly he hit the ball dead straight, but he could play all kinds of little squeeze fades and low hooks. What made Ben great was his slightly weak grip, both hands rotated counterclockwise so the “Vs” formed by his thumbs and forefingers pointed at his right ear at address. Shotmaking-wise, it gave him tremendous control. To draw the ball, he just released the club a little more. To hit it straight, he released a little less, and to fade it, he didn’t do anything. You can play good golf with a strong grip; Paul Azinger, David Duval and I are proof of that. But none of us is known for drawing the ball. When we tried, we hit too many duck hooks.

09 Get creative with the putter, too.
You want to make the same stroke on most putts, but sometimes it pays to customize it. If you’ve got a quick downhill putt, hover the putterhead off the ground at address. This will smooth out a short stroke and take away any urge to stab at the ball. On long uphill putts, address the ball out on the toe, because with a longer stroke you’ll tend to hit the ball closer to the heel than where you set it at address. Right-to-left putts: Put the ball back in your stance to catch it earlier in the stroke, when the putter is still moving outward and the face is open. Left-to-right putts: Lean your hands down the target line in an exaggerated forward press. As with full swings, this will help you close the face through impact.

10 Don’t overload your pet club.
Remember the 7-wood I told you about? The ending isn’t happy. At the 1991 Senior Players Championship, I had a chance to catch the leader, Jim Albus, with two holes to play. On the par-5 17th my drive left me 215 yards to a green fronted by water. It was on the outside limit of my little 7-wood, and my caddie, Herman Mitchell, wanted me to lay up. “Mr. Albus has never won a tournament, Lee,” Herman said, hinting that maybe Jim might choke if I played safe. But I loved that club so much I knew I could pull the shot off. I hit the 7-wood and just nailed it. I was still posing my finish when my ball bounced off the bulkhead in front of the green and into the water. I had so much confidence in that 7-wood, it made me greedy. Be careful with your pet club. If you expect too much of it, it’ll turn on you.

Read More http://www.golfdigest.com/magazine/2009-04/trevinorules#ixzz1fd9DJ4rX

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Instruction

Clement: Stop ripping off your swing with this drill!

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Not the dreaded headcover under the armpit drill! As if your body is defective and can’t function by itself! Have you seen how incredible the human machine is with all the incredible feats of agility all kinds of athletes are accomplishing? You think your body is so defective (the good Lord is laughing his head off at you) that it needs a headcover tucked under the armpit so you can swing like T-Rex?

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How a towel can fix your golf swing

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This is a classic drill that has been used for decades. However, the world of marketed training aids has grown so much during that time that this simple practice has been virtually forgotten. Because why teach people how to play golf using everyday items when you can create and sell a product that reinforces the same thing? Nevertheless, I am here to give you helpful advice without running to the nearest Edwin Watts or adding something to your Amazon cart.

For the “scoring clubs,” having a solid connection between the arms and body during the swing, especially through impact, is paramount to creating long-lasting consistency. And keeping that connection throughout the swing helps rotate the shoulders more to generate more power to help you hit it farther. So, how does this drill work, and what will your game benefit from it? Well, let’s get into it.

Setup

You can use this for basic chip shots up to complete swings. I use this with every club in my bag, up to a 9 or 8-iron. It’s natural to create incrementally more separation between the arms and body as you progress up the set. So doing this with a high iron or a wood is not recommended.

While you set up to hit a ball, simply tuck the towel underneath both armpits. The length of the towel will determine how tight it will be across your chest but don’t make it so loose that it gets in the way of your vision. After both sides are tucked, make some focused swings, keeping both arms firmly connected to the body during the backswing and follow through. (Note: It’s normal to lose connection on your lead arm during your finishing pose.) When you’re ready, put a ball in the way of those swings and get to work.

Get a Better Shoulder Turn

Many of us struggle to have proper shoulder rotation in our golf swing, especially during long layoffs. Making a swing that is all arms and no shoulders is a surefire way to have less control with wedges and less distance with full swings. Notice how I can get in a similar-looking position in both 60° wedge photos. However, one is weak and uncontrollable, while the other is strong and connected. One allows me to use my larger muscles to create my swing, and one doesn’t. The follow-through is another critical point where having a good connection, as well as solid shoulder rotation, is a must. This drill is great for those who tend to have a “chicken wing” form in their lead arm, which happens when it becomes separated from the body through impact.

In full swings, getting your shoulders to rotate in your golf swing is a great way to reinforce proper weight distribution. If your swing is all arms, it’s much harder to get your weight to naturally shift to the inside part of your trail foot in the backswing. Sure, you could make the mistake of “sliding” to get weight on your back foot, but that doesn’t fix the issue. You must turn into your trial leg to generate power. Additionally, look at the difference in separation between my hands and my head in the 8-iron examples. The green picture has more separation and has my hands lower. This will help me lessen my angle of attack and make it easier to hit the inside part of the golf ball, rather than the over-the-top move that the other picture produces.

Stay Better Connected in the Backswing

When you don’t keep everything in your upper body working as one, getting to a good spot at the top of your swing is very hard to do. It would take impeccable timing along with great hand-eye coordination to hit quality shots with any sort of regularity if the arms are working separately from the body.

Notice in the red pictures of both my 60-degree wedge and 8-iron how high my hands are and the fact you can clearly see my shoulder through the gap in my arms. That has happened because the right arm, just above my elbow, has become totally disconnected from my body. That separation causes me to lift my hands as well as lose some of the extension in my left arm. This has been corrected in the green pictures by using this drill to reinforce that connection. It will also make you focus on keeping the lead arm close to your body as well. Because the moment either one loses that relationship, the towel falls.

Conclusion

I have been diligent this year in finding a few drills that target some of the issues that plague my golf game; either by simply forgetting fundamental things or by coming to terms with the faults that have bitten me my whole career. I have found that having a few drills to fall back on to reinforce certain feelings helps me find my game a little easier, and the “towel drill” is most definitely one of them.

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Instruction

Clement: Why your practice swing never sucks

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You hear that one all the time; I wish I could put my practice swing on the ball! We explain the huge importance of what to focus on to allow the ball to be perfectly in the way of your practice swing. Enjoy!

 

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