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Instruction

10 rules for sticking your irons

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By Johnny Miller
A Golf Digest Article
With Guy Yocom
Photo By Joey Terrill

01 Play more than you practice.
Shortly after I turned 14, in 1961, I became the first junior member (whose father was not a member) at the Olympic Club in San Francisco. Playing Olympic day in and day out made me the good iron player I turned out to be. You never seem to get a level lie at Olympic. You’re required to hit a lot of awkward shots, such as playing a fade with the ball above your feet. You can’t work on shots like that on the practice tee, which is why I always played more than I practiced. A lot of things I learned on Olympic defied conventional teaching. For example, from a sidehill lie with the ball below you, the tendency is to pull it dead left—not slice it, as most instructors say—because you straighten your right arm to reach the ball, and you swing over the top. Don’t be one of those driving-range superstars: players who can make their irons sing on the practice tee but are only so-so on the course. Get out and play.

02 Don’t fall in love on demo day.
In 1974, I got a set of old Tommy Armour irons with no chrome on them. These dull-gray clubs had a soft feel to them that was just exquisite. The irons were 25 years old, but after I sawed down the hosels and added some lead tape here and there, they were like magic. I got on the hottest streak of my career. I won eight times on the PGA Tour in 1974, knocking down flags every week. The following year I signed an equipment contract and had to put the Tommy Armours in the garage. Big mistake. No matter what I did, I couldn’t make the new clubs perform like the old ones. If you’ve got a set of irons you really like, think twice before switching to a new set. There are a lot of great new irons out there, and you might fall in love with how well you hit them on demo day. But when you get on the course and face funny lies and try to hit shots, like a high draw or a low fade, you might find they’re completely different.

03 Listen to your shots.
In the winters when I was a kid, my dad had me practice in the basement of our house. I’d hit balls for hours into a canvas tarp tacked to the ceiling. Because I couldn’t see the ball flight, I relied on two kinds of feedback: how the shots felt and how they sounded. Thin shots, balls struck on the toe, and shots hit a shade fat have distinctive sounds. You’re always looking for that crisp thwack at impact. Even from the TV booth, I can usually tell immediately if an iron shot is mis-hit and if it will come up short or not have enough spin to hold. Sound can definitely give you clues as to how well you hit the shot.

04 Distance trumps direction.
If you’ve ever wondered what magic threshold you must cross to become a first-rate player, it’s simple: You must control distance with your irons. I’ve always been obsessed with distance control. When I felt my iron game was at its peak, I’d sometimes ask my caddie for the distance to half a yard. You control distance by hitting the ball solidly and varying the length and speed of your swing. If you do that well, you become more precise, which rubs off on your direction, too. The week I won the 1974 Tucson Open, I hit hole or the flagstick 10 times.

05 Get down on it at impact.
I’m a swing-sequence junkie. I love poring over sequence photos of the best players. The feature all great iron players have in common is that their heads are lower at impact than when they were standing tall at address. They really go down after the ball, not by bending at the hips or dropping their head but by increasing the flex in their knees. They sag their knees down and toward the target at the same time, moving on a downward diagonal line. Now, you’d think this would make you hit the ball fat. But if you lean the club forward, toward the target, so that the shaft is angled ahead of the left arm, you’ll absolutely pure it. Which leads to the next rule.

06 Keep the angle in your right wrist.
Through impact, the hands lead a trailing clubhead. That delofts the clubface and makes it possible to hit down on the ball and squash it against the face. If you’ve ever wondered how good iron players make their shots bore through the air, this is it. Every effective iron player maintains the semi-cocked position in the right wrist through impact, the right palm facing down. Every bad ball-striker has the palm up. As I said only half-jokingly on a telecast last summer, if you want to be a terrible iron player and avoid getting to single digits, just flip that right wrist so the clubhead scoops and passes your hands.

07 Don’t sweat every detail.
Because iron play is all about precision, there’s a tendency to focus on details that are irrelevant or uncontrollable. For instance, a slightly wet clubface won’t affect distance. And you can’t predict how a small glob of mud on your ball will influence ball flight, so don’t stress about it. A light breeze won’t affect distance much if you hit the ball solidly. Concentrate on things that matter: alignment, rhythm and solid contact. Perform those well, and the small things won’t really come into play.

08 “Photograph” impact.
During one of my nice streaks in the mid- 1970s, Jack Nicklaus stopped me on the range one day and asked what I was working on. I told him I was concentrating on impact, trying to “freeze frame” that fraction of a second. “You can actually see that?” asked Jack. When I told him I could after months of training my eyes to take a “photograph” of impact, Jack said, “You’re crazy; the club is moving too fast.” But, as I said to him, it’s not only possible, it’s one of my secrets for hitting great iron shots. When I took the picture, so to speak, I checked that the clubface was square and delofted slightly, and that I was making crisp contact. Satisfy those impact conditions, and you’ll start chasing flags.

09 Identify the sweet spot on your irons.
I’ll bet that if you asked the typical 15-handicapper to point to the sweet spot, he’d point to a spot too high on the face. Remember, all perimeter-weighted irons have the majority of their mass around the sole of the club, to help you get the ball in the air. That means the sweet spot is below the center of the face. This really comes into play on par 3s, where you’re allowed to tee up. Your objective should be to tee the ball so your “lie” is slightly better than a perfect fairway lie. And even with perimeter weighting, because of the design of the clubhead, the sweet spot is going to be slightly closer to the hosel than the toe.

10 Speed kills.
I can see wanting 10 more yards with the driver, but squeezing extra distance out of your irons is the kiss of death. In my prime, my standard distance for the 9-iron was 125 yards. I hit my 6-iron 160, and my 4-iron 185. I didn’t want to be long with my irons, only smooth. Reining in my swing speed was key to distance control and accuracy. If you can resist the tendency to swing more than 75 percent, you’ll have better balance and rhythm. Your mechanics will be better, and you’ll find the sweet spot more often. You don’t need a crazy swing speed to spin the ball, either: Pure backspin comes from good contact more than anything else.

Read More http://www.golfdigest.com/magazine/2009-01/millerrules#ixzz1fd6UL9UZ

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4 Comments

4 Comments

  1. rehcuagflog

    Dec 28, 2011 at 11:39 am

    I apologize for my english writing, I’m a french speaker so…. Simpicity, balance teaching, kind of ABC you should work all day long… like blopar, we need more this kind of inside, particulary Golfdigest need to reconsider the serious of some articles, like who is the hottest golfer…? who care…

  2. MK

    Dec 19, 2011 at 7:03 am

    Fantastic tips, gives me something to think about when I go out this week.

  3. blopar

    Dec 13, 2011 at 12:06 pm

    there is more great advice packed in these 10 tips than there is in a years’ worth of golf digest, golf, and golf tips combined

  4. Mizunate!

    Dec 5, 2011 at 4:52 pm

    Invaluable tips from a true legend. Thanks!

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Instruction

How to eliminate the double cross: Vertical plane, gear effect and impact location

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One of the biggest issues teachers see on the lesson tee is an out-to-in golf swing from a player who is trying to fade the ball, only to look up and see the deadly double cross! This gear effect assisted toe hook is one of the most frustrating things about trying to move the ball from left to right for the right-handed golfer. In this article, I want to show you what this looks like with Trackman and give you a few ways in which you can eliminate this from your game.

Below is the address position of a golfer I teach here in Punta Mita; his handicap ranges between scratch and 2, depending on how much he’s playing, but his miss is a double cross when he’s struggling.

Now let’s examine his impact position:

Observations

  • You see a pull-hooking ball flight
  • The hands are significantly higher at impact than they were at address
  • If you look at the clubhead closely you can see it is wide open post impact due to a toe hit (which we’ll see more of in a second)
  • The face to path is 0.5 which means with a perfectly centered hit, this ball would have moved very slightly from the left to the right
  • However, we see a shot that has a very high negative spin axis -13.7 showing a shot that is moving right to left

Now let’s look at impact location via Trackman:

As we can see here, the impact of the shot above was obviously on the toe and this is the reason why the double-cross occurred. Now the question remains is “why did he hit the ball off of the toe?”

This is what I see from people who swing a touch too much from out-to-in and try to hit fades: a standing up of the body and a lifting of the hands raising the Vertical Swing Plane and Dynamic Lie of the club at impact. From address, let’s assume his lie angle was 45 degrees (for simplicity) and now at impact you can see his Dynamic Lie is 51 degrees. Simply put, he’s standing up the shaft during impact…when this happens you will tend to pull the heel off the ground at impact and this exposes the toe of the club, hence the toe hits and the gear effect toe hook.

Now that we know the problem, what’s the solution? In my opinion it’s a three stage process:

  1. Don’t swing as much from out-to-in so you won’t stand up as much during impact
  2. A better swing plane will help you to remain in your posture and lower the hands a touch more through impact
  3. Move the weights in your driver to promote a slight fade bias

Obviously the key here is to make better swings, but remember to use technology to your advantage and understand why these type of things happen!

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Instruction

Master your takeaway with force and torques

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Most golf swings last less than 2 seconds, so it’s difficult to recover from any errors in the takeaway. Time is obviously limited. What most golfers fail to realize is that the force and torque they apply to the club in the initial stages of the swing can have major effects on how they are able to leverage the club with their arms and wrists.

Our research has shown that it is best to see the golfer as a series of connected links with the most consistent golfers transferring motion smoothly from one link to another and finally to the club. Approximately 19-25 percent of all the energy created in a golf swing actually makes its way into the motion of the club. That means the remaining 75-80 percent is used up in moving the body segments. This emphasizes the fact that a smooth takeaway is your best chance sequence the body links and become more efficient with your energy transfers.

In the video above, I give a very important lesson on how the forces and torques applied by the golfer in the takeaway shape the rest of the swing. There will be more to come on the subject in future articles.

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Instruction

Learn from the Legends: Introduction

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There is a better way to swing the golf club. I’d prefer to write that there is a correct way to swing the club, but I know that really freaks people out. People love to talk about how everyone’s swing is different. “There are lots of ways to get it done,” they say. “Look at Jim Furyk’s swing – it’s not what you’d teach, but it works for him.”

To some extent, they’re right. Elite swings do have different looks. Some take it back inside (Ray Floyd). Some cross the line (Tom Watson). Some swings are long (Bubba Watson). Some are short (young Tiger). But these differences are superficial and largely irrelevant. When it comes to the engine – the core of the swing – the greatest players throughout the history of the game are all very similar.

Don’t believe me? Well, let me prove it to you. In this series of articles, I will do my best to show you – with pictures and videos and data – that the legends all move a specific way. Focusing on these elements (while ignoring others) and practicing a certain way is the surest path to improving your golf swing and lowering your scores.

So, let’s get into it. There are a number of important elements that all the legends have, but the biggest and most important of these elements is rotation. Every great player throughout the history of the game has had elite rotation. It’s the most important thing they do, and it’s easy to see. When you’re looking down the line at all the great players at impact, you’ll see hips and torso open.

This is what the legends look like at impact:

1Hips open
2Torso open
3Both butt cheeks visible
4Left leg extended and visible

And here’s what some very good players with less good rotation look like at impact:

These are very successful players (one of them is a major champion!), but they don’t move like the legends of the game.
1Hips and shoulders not open
2Left leg not totally visible
3Can’t see both butt cheeks

Now, there are plenty of nuances to how great players rotate. They do it while keeping spine flexion, for example, and they do it with very little (or no) lateral movement toward the target (lateral movement impedes rotation). I will discuss these things in detail. My hope is that at the end of this series you will have a much better understanding of what separates the legends from the very good… and from the rest of us.

You will understand their “engine,” and hopefully this understanding will help you begin to create your own legendary swing!

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