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Dave Baysden and the art of golf

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Dave Baysden is the kind of guy you root for. A father and husband first and foremost, the North Carolina native has found a way to finally do what he is passionate about professionally. Luckily for all of us, that passion is art.

Golf art, specifically. Though he does paint all types of outdoor and sports scenes, golf is what has helped put him on the map. And in a world where so much of the golf art belongs in the realism and historical categories, Baysden’s work is imagination and color mixed with all of our dreams of playing the best golf holes in the world.

“I have loved art and creativity since I can remember,” Baysden said. “I’ve always drawn, doodled, painted – whatever.  It was always just who I was created to be, not necessarily something I was interested in.”

Baysden works as a graphic designer for an engineering firm now. And while that job provides security and comfort, it was not long ago he decided he needed to get back to the joy he once found creating art as a child.

“I decided to just start something, paint something,” he said. “I began small – painting little watercolors while sitting on the couch with my wife after the kids fell asleep. I remember the first night, starting with a few ideas…a trout, a fly-fishing scene, baseball players and the Masters.  Pretty much what I still enjoy painting. So, I figured – paint what you know, right? Golf is a sport that is beautiful.  Easy to use that for inspiration.”

And it is a game he loves to play, too. A golf nut just like so many of us, Baysden loves being outside and draws much of his inspiration from beautiful courses and nature. Golf provides the visuals and landscapes that fuels artistic passions while adding extra dimensions of history, characters, competition, and story-lines. Baysden has proven to have a knack for capturing the spirit of the game.

TPC Sawgrass- 17th Hole

Pine Valley- 10th Hole

Working with both acrylic and watercolor, Baysden says he starts with a loose plan for each painting and then messes it up until he likes it. A self-taught artist, he has had to work to find a process that works best for him…but most importantly, it needs to be a process that he enjoys.

“I love spending late nights in my workshop throwing paint around.  I’ve generally got music playing — a mix of Americana, country and classic rock,” Baysden said. “Like golf, painting is an extremely mental activity for me. If I can enjoy the process of a painting, then I can overcome the doubts and fears that are constantly ringing in my head.  Golf is the same way… I’m learning to enjoy the process of a round of golf – the few ups and plentiful downs – and I feel like my game is seeing some improvement. I’ve got a lot of work to do though in both art and golf.”

Quail Hollow- 18th- Watercolor

Last summer, Baysden began a new process of painting using only a golf tee as his tool. He wanted a new creative challenge and figured if he changed his palette knife and brush to something different, then he might create something different as well. He looked around his desk and saw a golf tee and a light bulb went off. He also creates these gorgeous little paintings on thick wood panels so he can drill a hole in the top to include the tee that was used. That way, the owner can rest a golf ball on top. Perfect for a hole in one display.

Sweetens Cove- Tee Painting

Illustration is also a huge part of Baysden’s creative outlet. Professional golf provides a wonderful subject matter for comic style story-lines. “I just try to capture highlights and storylines from the majors in a fun, lighthearted and creative way.  It takes me back to those Sunday comics pages. I do a quick illustration to sum up each day of the tournament in a single image cartoon.”

2018 PGA Championship- Day 1

 

2018 US Open- Day 3

Several tour players have responded positively on social media, too. Dustin Johnson, Bryson DeChambeau and Tom Watson have all reacted to illustrations done by Baysden in one manner or another. But the biggest connection to the Tour definitely came from Matt Kuchar and The Masters. Baysden had been in Atlanta for the 2016 Tour Championship at East Lake, just walking around the course, sketching. He painted several quick scenes around East Lake, including a watercolor sketch of the Seamus headcovers in Matt Kuchar’s bag. Baysden had already been a fan of Seamus and their unique designs, so he was excited to do a quick painting for his portfolio. He later posted the piece on his Instagram account and tagged Seamus Golf. Next thing he knew, the owner of Seamus, Akbar Chisti, contacted him and asked for the painting for his own collection.

The two continued to correspond over the next year and Baysden even did an original painting backdrop for  Seamus Golf’s  PGA booth–an image of the Old MacDonald course at Bandon Dunes. Then Baysden had another creative idea. “We started batting around the idea of doing a painting on canvas that could be made into headcovers. We decided on a few scenes and then just went for it. I sent him some paintings of Augusta and Shinnecock on pre-cut headcover canvases, they sewed them up and he said he was going to approach Kuchar about using them at the Masters.” And that is exactly what happened. Matt Kuchar used a one of a kind, Dave Baysden painted Seamus headcover in the 2018 Masters Tournament. “It’s still such a highlight and something I can’t believe came together.”

The opportunities keep coming for Baysden. And that is great for us, the consumers of the fruits of his passion. Baysden is swamped with commission requests and proposals and he credits that to his friends in the art community who continue to drive him towards his goals.

Baysden has had the opportunity to work with State Apparel on a mural for their San Francisco location and has also had his art displayed on the cover of Caddie Magazine. While his art is exceptional, he isn’t alone in the blossoming golf art community.

Several other artists (Baysden mentioned Josh Bills, Mike Cocking, Lee Wybranksi, Bart Forbes, Joshua Smith, Chris Duke as huge inspirations) continue to challenge and encourage him to create something great every day. Baysden feels humbled to have his art alongside those artists and hopes to promote a sense of community and support of all golf artwork. 

“I’m just amazed it took me so long to overcome the fears that kept me from creating anything in the first place, but even more amazed at the responses I have received once I just started creating.”

Please keep creating, Dave Baysden. For all of us.

State Apparel- San Francisco

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Johnny Newbern writes for GolfWRX from Fort Worth, Texas. His loving wife lets him play more golf than is reasonable and his three-year-old son is a tremendous cart partner. He is a Scotty Cameron loyalist and a lover of links-style courses. He believes Coore/Crenshaw can do no wrong, Gil Hanse is the king of renovations, and hole-in-ones are earned, not given. Johnny holds a degree in journalism from Southern Methodist University.

3 Comments

3 Comments

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19th Hole

Vincenzi’s 2024 Zurich Classic of New Orleans betting preview

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The PGA TOUR heads to New Orleans to play the 2023 Zurich Classic of New Orleans. In a welcome change from the usual stroke play, the Zurich Classic is a team event. On Thursday and Saturday, the teams play best ball, and on Friday and Sunday the teams play alternate shot.

TPC Louisiana is a par 72 that measures 7,425 yards. The course features some short par 4s and plenty of water and bunkers, which makes for a lot of exciting risk/reward scenarios for competitors. Pete Dye designed the course in 2004 specifically for the Zurich Classic, although the event didn’t make its debut until 2007 because of Hurricane Katrina.

Coming off of the Masters and a signature event in consecutive weeks, the field this week is a step down, and understandably so. Many of the world’s top players will be using this time to rest after a busy stretch.

However, there are some interesting teams this season with some stars making surprise appearances in the team event. Some notable teams include Patrick Cantlay and Xander Schauffele, Rory McIlroy and Shane Lowry, Collin Morikawa and Kurt Kitayama, Will Zalatoris and Sahith Theegala as well as a few Canadian teams, Nick Taylor and Adam Hadwin and Taylor Pendrith and Corey Conners.

Past Winners at TPC Louisiana

  • 2023: Riley/Hardy (-30)
  • 2022: Cantlay/Schauffele (-29)
  • 2021: Leishman/Smith (-20)
  • 2019: Palmer/Rahm (-26)
  • 2018: Horschel/Piercy (-22)
  • 2017: Blixt/Smith (-27)

2024 Zurich Classic of New Orleans Picks

Tom Hoge/Maverick McNealy +2500 (DraftKings)

Tom Hoge is coming off of a solid T18 finish at the RBC Heritage and finished T13 at last year’s Zurich Classic alongside Harris English.

This season, Hoge is having one of his best years on Tour in terms of Strokes Gained: Approach. In his last 24 rounds, the only player to top him on the category is Scottie Scheffler. Hoge has been solid on Pete Dye designs, ranking 28th in the field over his past 36 rounds.

McNealy is also having a solid season. He’s finished T6 at the Waste Management Phoenix Open and T9 at the PLAYERS Championship. He recently started working with world renowned swing coach, Butch Harmon, and its seemingly paid dividends in 2024.

Keith Mitchell/Joel Dahmen +4000 (DraftKings)

Keith Mitchell is having a fantastic season, finishing in the top-20 of five of his past seven starts on Tour. Most recently, Mitchell finished T14 at the Valero Texas Open and gained a whopping 6.0 strokes off the tee. He finished 6th at last year’s Zurich Classic.

Joel Dahmen is having a resurgent year and has been dialed in with his irons. He also has a T11 finish at the PLAYERS Championship at TPC Sawgrass which is another Pete Dye track. With Mitchell’s length and Dahmen’s ability to put it close with his short irons, the Mitchell/Dahmen combination will be dangerous this week.

Taylor Moore/Matt NeSmith +6500 (DraftKings)

Taylor Moore has quickly developed into one of the more consistent players on Tour. He’s finished in the top-20 in three of his past four starts, including a very impressive showing at The Masters, finishing T20. He’s also finished T4 at this event in consecutive seasons alongside Matt NeSmith.

NeSmith isn’t having a great 2024, but has seemed to elevate his game in this format. He finished T26 at Pete Dye’s TPC Sawgrass, which gives the 30-year-old something to build off of. NeSmith is also a great putter on Bermudagrass, which could help elevate Moore’s ball striking prowess.

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19th Hole

Vincenzi’s 2024 LIV Adelaide betting preview: Cam Smith ready for big week down under

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After having four of the top twelve players on the leaderboard at The Masters, LIV Golf is set for their fifth event of the season: LIV Adelaide. 

For both LIV fans and golf fans in Australia, LIV Adelaide is one of the most anticipated events of the year. With 35,000 people expected to attend each day of the tournament, the Grange Golf Club will be crawling with fans who are passionate about the sport of golf. The 12th hole, better known as “the watering hole”, is sure to have the rowdiest of the fans cheering after a long day of drinking some Leishman Lager.  

The Grange Golf Club is a par-72 that measures 6,946 yards. The course features minimal resistance, as golfers went extremely low last season. In 2023, Talor Gooch shot consecutive rounds of 62 on Thursday and Friday, giving himself a gigantic cushion heading into championship Sunday. Things got tight for a while, but in the end, the Oklahoma State product was able to hold off The Crushers’ Anirban Lahiri for a three-shot victory. 

The Four Aces won the team competition with the Range Goats finishing second. 

*All Images Courtesy of LIV Golf*

Past Winners at LIV Adelaide

  • 2023: Talor Gooch (-19)

Stat Leaders Through LIV Miami

Green in Regulation

  1. Richard Bland
  2. Jon Rahm
  3. Paul Casey

Fairways Hit

  1. Abraham Ancer
  2. Graeme McDowell
  3. Henrik Stenson

Driving Distance

  1. Bryson DeChambeau
  2. Joaquin Niemann
  3. Dean Burmester

Putting

  1. Cameron Smith
  2. Louis Oosthuizen
  3. Matt Jones

2024 LIV Adelaide Picks

Cameron Smith +1400 (DraftKings)

When I pulled up the odds for LIV Adelaide, I was more than a little surprised to see multiple golfers listed ahead of Cameron Smith on the betting board. A few starts ago, Cam finished runner-up at LIV Hong Kong, which is a golf course that absolutely suits his eye. Augusta National in another course that Smith could roll out of bed and finish in the top-ten at, and he did so two weeks ago at The Masters, finishing T6.

At Augusta, he gained strokes on the field on approach, off the tee (slightly), and of course, around the green and putting. Smith able to get in the mix at a major championship despite coming into the week feeling under the weather tells me that his game is once again rounding into form.

The Grange Golf Club is another course that undoubtedly suits the Australian. Smith is obviously incredibly comfortable playing in front of the Aussie faithful and has won three Australian PGA Championship’s. The course is very short and will allow Smith to play conservative off the tee, mitigating his most glaring weakness. With birdies available all over the golf course, there’s a chance the event turns into a putting contest, and there’s no one on the planet I’d rather have in one of those than Cam Smith.

Louis Oosthuizen +2200 (DraftKings)

Louis Oosthuizen has simply been one of the best players on LIV in the 2024 seas0n. The South African has finished in the top-10 on the LIV leaderboard in three of his five starts, with his best coming in Jeddah, where he finished T2. Perhaps more impressively, Oosthuizen finished T7 at LIV Miami, which took place at Doral’s “Blue Monster”, an absolutely massive golf course. Given that Louis is on the shorter side in terms of distance off the tee, his ability to play well in Miami shows how dialed he is with the irons this season.

In addition to the LIV finishes, Oosthuizen won back-to-back starts on the DP World Tour in December at the Alfred Dunhill Championship and the Mauritus Open. He also finished runner-up at the end of February in the International Series Oman. The 41-year-old has been one of the most consistent performers of 2024, regardless of tour.

For the season, Louis ranks 4th on LIV in birdies made, T9 in fairways hit and first in putting. He ranks 32nd in driving distance, but that won’t be an issue at this short course. Last season, he finished T11 at the event, but was in decent position going into the final round but fell back after shooting 70 while the rest of the field went low. This season, Oosthuizen comes into the event in peak form, and the course should be a perfect fit for his smooth swing and hot putter this week.

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Opinion & Analysis

The Wedge Guy: What really makes a wedge work? Part 1

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Of all the clubs in our bags, wedges are almost always the simplest in construction and, therefore, the easiest to analyze what might make one work differently from another if you know what to look for.

Wedges are a lot less mysterious than drivers, of course, as the major brands are working with a lot of “pixie dust” inside these modern marvels. That’s carrying over more to irons now, with so many new models featuring internal multi-material technologies, and almost all of them having a “badge” or insert in the back to allow more complex graphics while hiding the actual distribution of mass.

But when it comes to wedges, most on the market today are still single pieces of molded steel, either cast or forged into that shape. So, if you look closely at where the mass is distributed, it’s pretty clear how that wedge is going to perform.

To start, because of their wider soles, the majority of the mass of almost any wedge is along the bottom third of the clubhead. So, the best wedge shots are always those hit between the 2nd and 5th grooves so that more mass is directly behind that impact. Elite tour professionals practice incessantly to learn to do that consistently, wearing out a spot about the size of a penny right there. If impact moves higher than that, the face is dramatically thinner, so smash factor is compromised significantly, which reduces the overall distance the ball will fly.

Every one of us, tour players included, knows that maddening shot that we feel a bit high on the face and it doesn’t go anywhere, it’s not your fault.

If your wedges show a wear pattern the size of a silver dollar, and centered above the 3rd or 4th groove, you are not getting anywhere near the same performance from shot to shot. Robot testing proves impact even two to three grooves higher in the face can cause distance loss of up to 35 to 55 feet with modern ‘tour design’ wedges.

In addition, as impact moves above the center of mass, the golf club principle of gear effect causes the ball to fly higher with less spin. Think of modern drivers for a minute. The “holy grail” of driving is high launch and low spin, and the driver engineers are pulling out all stops to get the mass as low in the clubhead as possible to optimize this combination.

Where is all the mass in your wedges? Low. So, disregarding the higher lofts, wedges “want” to launch the ball high with low spin – exactly the opposite of what good wedge play requires penetrating ball flight with high spin.

While almost all major brand wedges have begun putting a tiny bit more thickness in the top portion of the clubhead, conventional and modern ‘tour design’ wedges perform pretty much like they always have. Elite players learn to hit those crisp, spinny penetrating wedge shots by spending lots of practice time learning to consistently make contact low in the face.

So, what about grooves and face texture?

Grooves on any club can only do so much, and no one has any material advantage here. The USGA tightly defines what we manufacturers can do with grooves and face texture, and modern manufacturing techniques allow all of us to push those limits ever closer. And we all do. End of story.

Then there’s the topic of bounce and grinds, the most complex and confusing part of the wedge formula. Many top brands offer a complex array of sole configurations, all of them admittedly specialized to a particular kind of lie or turf conditions, and/or a particular divot pattern.

But if you don’t play the same turf all the time, and make the same size divot on every swing, how would you ever figure this out?

The only way is to take any wedge you are considering and play it a few rounds, hitting all the shots you face and observing the results. There’s simply no other way.

So, hopefully this will inspire a lively conversation in our comments section, and I’ll chime in to answer any questions you might have.

And next week, I’ll dive into the rest of the wedge formula. Yes, shafts, grips and specifications are essential, too.

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