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The difference between “ugly” and “unorthodox” golf swings

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I’d like you pretend for a moment that you were asked to name the five ugliest golf swings by players who had won a major championship. Who would you select, and what criteria would you use to make that judgment? You might say you’re not sure, but you would have no difficulty identifying an ugly swing if you were to see one, right? The question is, what factors would move you toward that decision?

I struggled with this exact question when it was posed to me and others who were members of Golf Magazine’s “Top 100” panel at the time. In making my decision, I was concerned that I did not confuse UNORTHODOX with UGLY. The fact is that some of the greatest golfers throughout history have been considered to have had unorthodox swings.

  • The word “unorthodox” is defined as that which is contrary to what is usual, traditional or generally accepted.
  • The word “ugly” is defined as that which is unpleasant or repulsive in appearance.

In comparing the two definitions, they are clearly quite different. The word “unorthodox” suggests something that is different from the norm, while the word “ugly” relates to the appearance of an object regardless of its status. The problem with labeling any golf swing as unorthodox is that the definition of that condition varies with time. What was once considered to be unorthodox may later be considered perfectly acceptable, and we’ve seen this happen over and over again in golf instruction.

Case No. 1

It was considered unorthodox when Harry Vardon moved his thumbs toward the top of the shaft and placed the little finger of his right hand over his left forefinger knuckle. The standard grip in his era featured both thumbs to the sides of the shaft. The club was held more in the palms of both hands and with all ten fingers, rather than more diagonally through the palm as in Vardon’s Grip. As Vardon began to win, however, his competitors copied his grip. What once was considered unorthodox became orthodox.

Case No. 2

Hogan and Nicklaus were paired together in the final round of the 1957 U.S. Open at Cherry Hills. The dichotomy between their backswings couldn’t have been more evident. This was due to the way in which they utilized their right elbows in the backswing. Nicklaus allowed his right elbow to work up and away, pointing more outward at the top. Hogan’s right elbow was closer to his body and pointed more downward.

At the time, Hogan’s backswing was considered orthodox while Nicklaus’ swing was considered unorthodox. As Hogan faded from the winner’s circle and Nicklaus began to emerge, what was once thought to be unorthodox later came to be considered orthodox.

There are some swings that most observers would agree are both unorthodox and ugly. For example, most observers would say that Jim Furyk’s swing is not pretty — they might even go so far as to categorize it as ugly. This is despite the face that Furyk has had an outstanding career and has a U.S. Open victory to his credit. What is it that observers find so offense in his swing? The answer is the differential in planes between the backswing and the downswing, or what might be referred to as a “loop” in his swing.

In Furyk’s case, the club is taken well outside what might be considered the traditional backswing plane. Then it is looped well to the inside and back into position on the downswing. This is is a perfectly acceptable way to play golf, which is evidenced by the size of his bank account and the number of trophies on his mantle. As you might surmise, because of his golf swing, Furyk has not been asked to write any full-swing instruction books.

The problem is that, in the eyes of the observer, the combination of the two distinctly different planes gives a disjoined appearance to the swing. Does it follow then that the variance in the backswing and downswing is the primary factor in determining if a swing qualifies as being ugly? The problem with reaching that conclusion is that it doesn’t hold up to comparison with other players who employ a similar pattern… beginning with Freddy Couples. He begins his swing by lifting his arms well outside the traditional plane line. With a delayed turn of his torso, he then brings the club back into a more traditional plane at the top.

In the case of both Couples and Furyk, their backswings operate well outside the traditional plane line with both players “looping” the club back into position prior to impact. And yet Couples’ swing is universally admired, while Furyk’s swing is in some quarters ridiculed. This begs the question of why Couples’ “looping” swing motion is considered more acceptable than Furyk’s. The answer to that question is two-fold.

  1. Furyk’s loop is created ostensibly by a change in plane with the arms and the hands, giving the swing a frenetic appearance.
  2. Couples’ loop is created with a graceful turn of his body with the arms following in perfect harmony.

And so, when taking the swings of Couples and other “loopers” into consideration, it would seem that the dramatic change in plane between the backswing and the downswing in and of itself does not warrant the classification of ugly.

Author Footnote: A point worth considering as part of this discussion is that there have been other accomplished players throughout the history of the game whose backswings have operated on the same principles as Couples. This would include perennial Champion’s Tour winners Kenny Perry, and earlier Jay Haas, whose swings were generally admired despite their unorthodox approach to the backswing.

What does this all mean? First, while a loop in the golf swing may be unorthodox, is not necessary considered ugly provided that the club is routed into plane with the turn of the body rather than just the arms and the hands. Second, as stated earlier, the definition of unorthodox can and does change depending on the era. And third, an unorthodox swing is not necessarily ugly. The two classifications are very different.

As you evaluate golf swings, remember this adage; an unorthodox swing is not necessarily ugly, but an ugly swing is always unorthodox.

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As a teacher, Rod Lidenberg reached the pinnacle of his career when he was named to GOLF Magazine's "Top 100" Teachers in America. The PGA Master Professional and three-time Minnesota PGA "Teacher of the Year" has over his forty-five year career, worked with a variety of players from beginners to tour professionals. He especially enjoys training elite junior players, many who have gone on to earn scholarships at top colleges around the country, in addition to winning several national amateur championships. Lidenberg maintains an active schedule teaching at Bluff Creek Golf Course Chanhassen, Minnesota, in the summer and The Golf Zone, Chaska, Minnesota, in the winter months. As a player, he competed in two USGA Public Links Championships; the first in Dallas, Texas, and the second in Phoenix, Arizona, where he finished among the top 40. He also entertained thousands of fans playing in a series of three exhibition matches beginning in 1972, at his home course, Edgewood G.C. in Fargo, North Dakota, where he played consecutive years with Doug Sanders, Lee Trevino and Laura Baugh. As an author, he has a number of books in various stages of development, the first of which will be published this fall entitled "I Knew Patty Berg." In Fall 2017, he will be launching a new Phoenix-based instruction business that will feature first-time-ever TREATMENT OF THE YIPS.

12 Comments

12 Comments

  1. Mat

    Mar 25, 2018 at 2:33 am

    What wins on Sunday sells on Monday – especially with lessons.

    The ball doesn’t care how it’s propelled. The only thing you should be worried about is:

    #1 – Is the impact dynamic repeatable?
    #2 – Is the swing repeatable?
    #3 – Is the swing going to cause physical issues if repeated?

    The ball flight is always the best teacher. It never lies.

  2. acew/7iron

    Mar 24, 2018 at 11:49 am

    My swing just forgets who it is every other round…I can go from 77 – 87 overnight

  3. BIG STU

    Mar 24, 2018 at 4:28 am

    Exactly BD you get it– It is all about the position in the impact zone not how it gets there. I have said that about Furyk for years and no one listens

  4. Chris

    Mar 23, 2018 at 10:49 pm

    Example no 1 is not terrible well thought out, a grip change can hardly be seen at adress, and not at all during the swing.

  5. abba

    Mar 23, 2018 at 3:12 pm

    “ugly”… “unorthodox”… and the swing of 95% of all golfers worldwide… “abomination” 😮

  6. Brandon

    Mar 23, 2018 at 2:39 pm

    Im proud to say I have a ugly swing but its repeatable and playable!

  7. Brett Weir

    Mar 23, 2018 at 11:56 am

    The ball doesn’t care how ugly your swing is but it does care if it is hit solid and straight through impact.

  8. BD

    Mar 23, 2018 at 11:43 am

    As Arnie used to say, “Swing your swing”. I would rather have an ugly swing and play well than have a good looking swing and play poor. The look of the swing is irrelevant. It is all about impact. Hence, Jim Furyk. If you freeze frame his impact zone, it looks like most PGA Tour Pros.

    • BIG STU

      Mar 24, 2018 at 4:28 am

      Exactly BD you get it– It is all about the position in the impact zone not how it gets there. I have said that about Furyk for years and no one listens

  9. Tiemco

    Mar 23, 2018 at 11:03 am

    Tommy Gainey’s swing always looked terrible to me.

  10. Bruce Ferguson

    Mar 23, 2018 at 10:57 am

    I always thought Moe Norman’s swing was rather ugly. That said, I envied his consistency. To each, his own . . .

  11. Nack Jicklaus

    Mar 23, 2018 at 10:49 am

    My swing is both ugly and unorthodox.

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19th Hole

Vincenzi’s 2024 Zurich Classic of New Orleans betting preview

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The PGA TOUR heads to New Orleans to play the 2023 Zurich Classic of New Orleans. In a welcome change from the usual stroke play, the Zurich Classic is a team event. On Thursday and Saturday, the teams play best ball, and on Friday and Sunday the teams play alternate shot.

TPC Louisiana is a par 72 that measures 7,425 yards. The course features some short par 4s and plenty of water and bunkers, which makes for a lot of exciting risk/reward scenarios for competitors. Pete Dye designed the course in 2004 specifically for the Zurich Classic, although the event didn’t make its debut until 2007 because of Hurricane Katrina.

Coming off of the Masters and a signature event in consecutive weeks, the field this week is a step down, and understandably so. Many of the world’s top players will be using this time to rest after a busy stretch.

However, there are some interesting teams this season with some stars making surprise appearances in the team event. Some notable teams include Patrick Cantlay and Xander Schauffele, Rory McIlroy and Shane Lowry, Collin Morikawa and Kurt Kitayama, Will Zalatoris and Sahith Theegala as well as a few Canadian teams, Nick Taylor and Adam Hadwin and Taylor Pendrith and Corey Conners.

Past Winners at TPC Louisiana

  • 2023: Riley/Hardy (-30)
  • 2022: Cantlay/Schauffele (-29)
  • 2021: Leishman/Smith (-20)
  • 2019: Palmer/Rahm (-26)
  • 2018: Horschel/Piercy (-22)
  • 2017: Blixt/Smith (-27)

2024 Zurich Classic of New Orleans Picks

Tom Hoge/Maverick McNealy +2500 (DraftKings)

Tom Hoge is coming off of a solid T18 finish at the RBC Heritage and finished T13 at last year’s Zurich Classic alongside Harris English.

This season, Hoge is having one of his best years on Tour in terms of Strokes Gained: Approach. In his last 24 rounds, the only player to top him on the category is Scottie Scheffler. Hoge has been solid on Pete Dye designs, ranking 28th in the field over his past 36 rounds.

McNealy is also having a solid season. He’s finished T6 at the Waste Management Phoenix Open and T9 at the PLAYERS Championship. He recently started working with world renowned swing coach, Butch Harmon, and its seemingly paid dividends in 2024.

Keith Mitchell/Joel Dahmen +4000 (DraftKings)

Keith Mitchell is having a fantastic season, finishing in the top-20 of five of his past seven starts on Tour. Most recently, Mitchell finished T14 at the Valero Texas Open and gained a whopping 6.0 strokes off the tee. He finished 6th at last year’s Zurich Classic.

Joel Dahmen is having a resurgent year and has been dialed in with his irons. He also has a T11 finish at the PLAYERS Championship at TPC Sawgrass which is another Pete Dye track. With Mitchell’s length and Dahmen’s ability to put it close with his short irons, the Mitchell/Dahmen combination will be dangerous this week.

Taylor Moore/Matt NeSmith +6500 (DraftKings)

Taylor Moore has quickly developed into one of the more consistent players on Tour. He’s finished in the top-20 in three of his past four starts, including a very impressive showing at The Masters, finishing T20. He’s also finished T4 at this event in consecutive seasons alongside Matt NeSmith.

NeSmith isn’t having a great 2024, but has seemed to elevate his game in this format. He finished T26 at Pete Dye’s TPC Sawgrass, which gives the 30-year-old something to build off of. NeSmith is also a great putter on Bermudagrass, which could help elevate Moore’s ball striking prowess.

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19th Hole

Vincenzi’s 2024 LIV Adelaide betting preview: Cam Smith ready for big week down under

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After having four of the top twelve players on the leaderboard at The Masters, LIV Golf is set for their fifth event of the season: LIV Adelaide. 

For both LIV fans and golf fans in Australia, LIV Adelaide is one of the most anticipated events of the year. With 35,000 people expected to attend each day of the tournament, the Grange Golf Club will be crawling with fans who are passionate about the sport of golf. The 12th hole, better known as “the watering hole”, is sure to have the rowdiest of the fans cheering after a long day of drinking some Leishman Lager.  

The Grange Golf Club is a par-72 that measures 6,946 yards. The course features minimal resistance, as golfers went extremely low last season. In 2023, Talor Gooch shot consecutive rounds of 62 on Thursday and Friday, giving himself a gigantic cushion heading into championship Sunday. Things got tight for a while, but in the end, the Oklahoma State product was able to hold off The Crushers’ Anirban Lahiri for a three-shot victory. 

The Four Aces won the team competition with the Range Goats finishing second. 

*All Images Courtesy of LIV Golf*

Past Winners at LIV Adelaide

  • 2023: Talor Gooch (-19)

Stat Leaders Through LIV Miami

Green in Regulation

  1. Richard Bland
  2. Jon Rahm
  3. Paul Casey

Fairways Hit

  1. Abraham Ancer
  2. Graeme McDowell
  3. Henrik Stenson

Driving Distance

  1. Bryson DeChambeau
  2. Joaquin Niemann
  3. Dean Burmester

Putting

  1. Cameron Smith
  2. Louis Oosthuizen
  3. Matt Jones

2024 LIV Adelaide Picks

Cameron Smith +1400 (DraftKings)

When I pulled up the odds for LIV Adelaide, I was more than a little surprised to see multiple golfers listed ahead of Cameron Smith on the betting board. A few starts ago, Cam finished runner-up at LIV Hong Kong, which is a golf course that absolutely suits his eye. Augusta National in another course that Smith could roll out of bed and finish in the top-ten at, and he did so two weeks ago at The Masters, finishing T6.

At Augusta, he gained strokes on the field on approach, off the tee (slightly), and of course, around the green and putting. Smith able to get in the mix at a major championship despite coming into the week feeling under the weather tells me that his game is once again rounding into form.

The Grange Golf Club is another course that undoubtedly suits the Australian. Smith is obviously incredibly comfortable playing in front of the Aussie faithful and has won three Australian PGA Championship’s. The course is very short and will allow Smith to play conservative off the tee, mitigating his most glaring weakness. With birdies available all over the golf course, there’s a chance the event turns into a putting contest, and there’s no one on the planet I’d rather have in one of those than Cam Smith.

Louis Oosthuizen +2200 (DraftKings)

Louis Oosthuizen has simply been one of the best players on LIV in the 2024 seas0n. The South African has finished in the top-10 on the LIV leaderboard in three of his five starts, with his best coming in Jeddah, where he finished T2. Perhaps more impressively, Oosthuizen finished T7 at LIV Miami, which took place at Doral’s “Blue Monster”, an absolutely massive golf course. Given that Louis is on the shorter side in terms of distance off the tee, his ability to play well in Miami shows how dialed he is with the irons this season.

In addition to the LIV finishes, Oosthuizen won back-to-back starts on the DP World Tour in December at the Alfred Dunhill Championship and the Mauritus Open. He also finished runner-up at the end of February in the International Series Oman. The 41-year-old has been one of the most consistent performers of 2024, regardless of tour.

For the season, Louis ranks 4th on LIV in birdies made, T9 in fairways hit and first in putting. He ranks 32nd in driving distance, but that won’t be an issue at this short course. Last season, he finished T11 at the event, but was in decent position going into the final round but fell back after shooting 70 while the rest of the field went low. This season, Oosthuizen comes into the event in peak form, and the course should be a perfect fit for his smooth swing and hot putter this week.

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Opinion & Analysis

The Wedge Guy: What really makes a wedge work? Part 1

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Of all the clubs in our bags, wedges are almost always the simplest in construction and, therefore, the easiest to analyze what might make one work differently from another if you know what to look for.

Wedges are a lot less mysterious than drivers, of course, as the major brands are working with a lot of “pixie dust” inside these modern marvels. That’s carrying over more to irons now, with so many new models featuring internal multi-material technologies, and almost all of them having a “badge” or insert in the back to allow more complex graphics while hiding the actual distribution of mass.

But when it comes to wedges, most on the market today are still single pieces of molded steel, either cast or forged into that shape. So, if you look closely at where the mass is distributed, it’s pretty clear how that wedge is going to perform.

To start, because of their wider soles, the majority of the mass of almost any wedge is along the bottom third of the clubhead. So, the best wedge shots are always those hit between the 2nd and 5th grooves so that more mass is directly behind that impact. Elite tour professionals practice incessantly to learn to do that consistently, wearing out a spot about the size of a penny right there. If impact moves higher than that, the face is dramatically thinner, so smash factor is compromised significantly, which reduces the overall distance the ball will fly.

Every one of us, tour players included, knows that maddening shot that we feel a bit high on the face and it doesn’t go anywhere, it’s not your fault.

If your wedges show a wear pattern the size of a silver dollar, and centered above the 3rd or 4th groove, you are not getting anywhere near the same performance from shot to shot. Robot testing proves impact even two to three grooves higher in the face can cause distance loss of up to 35 to 55 feet with modern ‘tour design’ wedges.

In addition, as impact moves above the center of mass, the golf club principle of gear effect causes the ball to fly higher with less spin. Think of modern drivers for a minute. The “holy grail” of driving is high launch and low spin, and the driver engineers are pulling out all stops to get the mass as low in the clubhead as possible to optimize this combination.

Where is all the mass in your wedges? Low. So, disregarding the higher lofts, wedges “want” to launch the ball high with low spin – exactly the opposite of what good wedge play requires penetrating ball flight with high spin.

While almost all major brand wedges have begun putting a tiny bit more thickness in the top portion of the clubhead, conventional and modern ‘tour design’ wedges perform pretty much like they always have. Elite players learn to hit those crisp, spinny penetrating wedge shots by spending lots of practice time learning to consistently make contact low in the face.

So, what about grooves and face texture?

Grooves on any club can only do so much, and no one has any material advantage here. The USGA tightly defines what we manufacturers can do with grooves and face texture, and modern manufacturing techniques allow all of us to push those limits ever closer. And we all do. End of story.

Then there’s the topic of bounce and grinds, the most complex and confusing part of the wedge formula. Many top brands offer a complex array of sole configurations, all of them admittedly specialized to a particular kind of lie or turf conditions, and/or a particular divot pattern.

But if you don’t play the same turf all the time, and make the same size divot on every swing, how would you ever figure this out?

The only way is to take any wedge you are considering and play it a few rounds, hitting all the shots you face and observing the results. There’s simply no other way.

So, hopefully this will inspire a lively conversation in our comments section, and I’ll chime in to answer any questions you might have.

And next week, I’ll dive into the rest of the wedge formula. Yes, shafts, grips and specifications are essential, too.

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