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Two secrets to improve your ball flight

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In recent years, advances in golf technology have shown that there are many variables that go into a desired ball flight. Doppler radar launch monitors like FlightScope and Trackman have proven that the club face’s position at impact is responsible for a golf ball’s starting direction and the path of the club is responsible for the curvature of the ball.

In order to play a proper fade, for example, the club face will need be closed to the target line but open to the path of the club at impact. To play a draw, the orientations need to be the exact opposite: the club face is open to the target and closed to the path.

Understanding these ball flight laws is very important to owning your shot shape. After golfers have a good understanding of them, it’s time that they learn how to achieve their desired flight.

Two things I rarely hear discussed when it comes to curving the golf ball is hand path and the use of the ground during the swing. They are two keys that are vital to controlling the face angle and club path at impact.

Hand path is the direction that the hands move in the backswing and downswing. An easy way to think about it is to imagine a U-shaped arc on the inside of the golf club that sits directly under a players hands at address. Depending on the desired shot shape, the hands can move on the arc, outside the arc or inside the arc in the backswing. The hands can do the same thing in the downswing and at impact: they can move on, inside, or outside the arc depending on the desired shot shape.

How a player uses the ground during the swing also has a big influence on their body lines at impact. The movement of pressure from the ground up can be quite different for a golfer who hits a draw compared to one who fades the ball.

In one of my previous articles, I talked about ground forces in regards to the center of pressure (COP) and how player’s COP trace can affect his or her golf swing. I gave a generic example to help the everyday golfer. I’m now expanding on that to help the golfers improve their shot shape. Below I have listed some keys to help each player.

Fade Hand Path and COP Trace

Backswing

  • The hands move in front and away from the body.
  • The pressure will move between the balls of the feet and the toe of the trail foot as the player gets closer to the top of the backswing.

Downswing

  • The hands continue to work in front of the body, causing them to pull in closer to the body through impact.
  • Pressure will move towards the heel of the lead foot as the hand path moves in.

Below is an example of what the fade hand path looks like as shown by a very good fader of the ball, K.J. Choi.

KJ-Choi-TopKJ-Choi-Step2KJ-Choi-Impact

Here is the example of what this type of player would look like on a balance plate (at impact). The COP is in the lead heel as indicated by the red, orange, and yellow colors.

Fade COP

Again, this is a photo of impact, but if we backtrack and look at where the initial COP trace line begins (between both feet on graph) at the address position, you will find the line moves back and slightly up toward the ball of the foot at the top of the backswing (this is when the hands in the backswing would be moving away from the body). As the player begins the downswing (hands moving in front) and finally gets to the impact position (hands moving inside) you see the line move towards the lead heel.

Draw Hand Path and COP

Backswing

  • Hands move inside and close to the body.
  • Pressure moves between the ball of the foot and the heel in the trail foot as the player gets closer to the top of the backswing.

Downswing

  • Hands move deeper as the downswing is initiated with the hand path moving more outward through impact.
  • Pressure will shift forward as the pressure moves between the ball of the foot and toe in the lead leg.

Below is an example of what a draw hand path looks like as shown by a very good drawer of the golf ball, Charlie Wi.

CW31Charlie-Wi-Top1Charlie-Wi-Impact1

Below is the example of what the draw hand path would look like on a balance plate. You will see that the COP is in the ball of the foot/toe region. The pressure is indicated by the red, orange, and yellow colors.

Draw COP

This is a photo of impact, but if we backtrack and look at where the initial COP trace line begins (between both feet on the graph) at the address position, you will find the line moves back somewhere between the ball of the foot and heel (the hands are moving inward and staying close to the body). As the player begins the downswing (hands moving deeper behind body) and finally gets to the impact position (hands moving outward) you see the trace line moves outward as well.

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Bill Schmedes III is an award-winning PGA Class A member and Director of Instruction at Fiddler's Elbow Country Club in Bedminster, the largest golf facility in New Jersey. He has been named a "Top-25 Golf Instructor," and has been nominated for PGA Teacher of the Year and Golf Professional of the Year at both the PGA chapter and section levels. Bill was most recently nominated for Golf Digest's "Best Young Teachers in America" list, and has been privileged to work and study under several of the top golf coaches in the world. These coaches can all be found on the Top 100 & Top 50 lists. Bill has also worked with a handful of Top-20 Teachers under 40. He spent the last 2+ years working directly under Gary Gilchrist at his academy in Orlando, Fla. Bill was a Head Instructor/Coach and assisted Gary will his tour players on the PGA, LPGA, and European tours. Bill's eBook, The 5 Tour Fundamentals of Golf, can now be purchased on Amazon. It's unlike any golf instruction book you have ever read, and uncovers the TRUE fundamentals of golf using the tour player as the model.

12 Comments

12 Comments

  1. Anon

    Jul 7, 2014 at 11:53 am

    So correct me if I’m wrong, but to sum up the article, you basically finish more on your front heel to fade it, and front toes to draw it?

    • Bill Schmedes III

      Jul 8, 2014 at 10:26 pm

      For the fade, the hands are moving more inward, body lines are opening quicker (circular), and pressure is moving more towards the heel because of that at impact.

      For the draw, the hands are moving more outward, body lines are staying closed longer (lateral then circular), and pressure is moving more towards the ball of the foot (more centralized) at impact.

  2. Hellstorm

    Jul 5, 2014 at 9:15 pm

    I would say that my normal ball flight favors a draw, but I can’t hit it consistently. I have taught myself how to hit a fade pretty well and with a significant amount of power, but when I want to hit a draw on purpose, I really struggle. If I miss my fade, the result is a dead straight shot. If I miss my draw, it is a disaster snap hook. I think I just figured out why thanks to your explanation. I close my stance and close my clubface to the target. Thanks for the help. Now I got something to work on.

  3. S

    Jul 5, 2014 at 5:53 am

    Bill – What are some ways to get the hands more inside and deep if the desired shot is a draw? Does this get the hands behind the torso with the potential to get “stuck”?

    • Bill Schmedes

      Jul 5, 2014 at 8:15 am

      Thanks for the note. I’m big on mirror work allowing the player to get the feel with a visual to back up what they’re doing is correct. The hands can be deeper in the downswing and still be working with the body. I’ll have a player take their setup, then have them drop back foot back so the toe is off heel of front foot, then make 3/4 swings. This helps hand path get deeper but not stuck.

      Hope that helps. Thanks!

  4. Pingback: Two secrets to improve your ball flight - I'd Rather Be Golfing

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  6. AJ Novelli

    Jul 4, 2014 at 12:02 am

    Great article! Now time to get the high draw back into my game…

  7. Tom Stickney

    Jul 3, 2014 at 11:31 pm

    Like it!

    • Bill Schmedes

      Jul 4, 2014 at 2:01 pm

      Thanks Tom. I always enjoy your articles

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Instruction

Master your takeaway with force and torques

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Most golf swings last less than 2 seconds, so it’s difficult to recover from any errors in the takeaway. Time is obviously limited. What most golfers fail to realize is that the force and torque they apply to the club in the initial stages of the swing can have major effects on how they are able to leverage the club with their arms and wrists.

Our research has shown that it is best to see the golfer as a series of connected links with the most consistent golfers transferring motion smoothly from one link to another and finally to the club. Approximately 19-25 percent of all the energy created in a golf swing actually makes its way into the motion of the club. That means the remaining 75-80 percent is used up in moving the body segments. This emphasizes the fact that a smooth takeaway is your best chance sequence the body links and become more efficient with your energy transfers.

In the video above, I give a very important lesson on how the forces and torques applied by the golfer in the takeaway shape the rest of the swing. There will be more to come on the subject in future articles.

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Learn from the Legends: Introduction

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There is a better way to swing the golf club. I’d prefer to write that there is a correct way to swing the club, but I know that really freaks people out. People love to talk about how everyone’s swing is different. “There are lots of ways to get it done,” they say. “Look at Jim Furyk’s swing – it’s not what you’d teach, but it works for him.”

To some extent, they’re right. Elite swings do have different looks. Some take it back inside (Ray Floyd). Some cross the line (Tom Watson). Some swings are long (Bubba Watson). Some are short (young Tiger). But these differences are superficial and largely irrelevant. When it comes to the engine – the core of the swing – the greatest players throughout the history of the game are all very similar.

Don’t believe me? Well, let me prove it to you. In this series of articles, I will do my best to show you – with pictures and videos and data – that the legends all move a specific way. Focusing on these elements (while ignoring others) and practicing a certain way is the surest path to improving your golf swing and lowering your scores.

So, let’s get into it. There are a number of important elements that all the legends have, but the biggest and most important of these elements is rotation. Every great player throughout the history of the game has had elite rotation. It’s the most important thing they do, and it’s easy to see. When you’re looking down the line at all the great players at impact, you’ll see hips and torso open.

This is what the legends look like at impact:

1Hips open
2Torso open
3Both butt cheeks visible
4Left leg extended and visible

And here’s what some very good players with less good rotation look like at impact:

These are very successful players (one of them is a major champion!), but they don’t move like the legends of the game.
1Hips and shoulders not open
2Left leg not totally visible
3Can’t see both butt cheeks

Now, there are plenty of nuances to how great players rotate. They do it while keeping spine flexion, for example, and they do it with very little (or no) lateral movement toward the target (lateral movement impedes rotation). I will discuss these things in detail. My hope is that at the end of this series you will have a much better understanding of what separates the legends from the very good… and from the rest of us.

You will understand their “engine,” and hopefully this understanding will help you begin to create your own legendary swing!

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10 reasons your golf game isn’t improving (even if you’re practicing a lot)

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One of the things I hate to see is when you watch someone come to the practice facility day after day, week after week, truly doing what they think is best for their games and they continue to get worse. In fact, you can actually do more harm than good by “practicing” if you are not careful. So in this article I want to give you my top-10 reasons your game is not improving, even if you’re practicing more than ever.

1) You’re not practicing, you’re just getting exercise

We all know the guy who walks into the grill room and boasts that he has hit five pyramids of balls that day. The problem is, at least 90 percent of those shots were a complete waste of time! This guy is only getting exercise, not doing himself any good whatsoever. As a matter of fact, this is my number one pet-peeve for my clients who have retired and are looking for something to fill their day. When you hit this many balls, you have no chance to get better as you are only ingraining poor swing flaws or improper motions from getting tired.

Please limit yourself to one hour per range session, and use this time wisely with slow motion swings, proper feedback, and mirror work; this way, you just might improve. Anything past that hour mark (unless you’re a trained professional athlete or top-level amateur), and you are spinning your wheels, in my opinion.

2) You don’t understand “feel vs real”

Feel and real are two different things, and if you don’t know the difference, you’ll have to practice twice as hard for twice as long to get any better. Remember the feeling of making that “new” move? How weird it feels and how similar it actually looks on camera? Don’t be afraid to exaggerate a new move in order to make the change you want; if you don’t exaggerate it, then you may have to put in much more time in order to eradicate yourself of whatever move you’re trying to eliminate.

Use video feedback to remind yourself of what is actually happening when you’re making a swing change. Huge changes in our mind often translate to very small changes in real life; the camera will remind you what needs to be done.

3) You only practice the fun things

How many times have you gone to the range and worked on smashing your driver versus working on hitting trouble shots around trees, or your super-long lag putting? In fact, we are all guilty of working on things that we are already good at or enjoy doing with the excuse that “we don’t want to lose it.” Personally, I hate practicing my long irons and seldom did when I was playing, and because of this fact, I am not too stellar from outside 200 yards still today. Why? Because that was in the days of small bladed forged irons and whenever you missed them they felt terrible and therefore I avoided them. Not a smart idea. Hone your strengths, but work hard on your problem areas to really improve.

4) You’re not making practice uncomfortable and pressure filled

Another one of the things I constantly see is where a player can hit the ball like a champ on the range, but the moment they walk on the course, things change for the worse. Why? Because they become too outcome focused. If they could reverse the mental process — making practice pressure filled and the course worry-free — they would be a world beater. My favorite drill is to set a goal during a practice session, such as making 100 3-footers in a row; and if you don’t reach that goal, open up your wallet and throw $20 on the ground for someone to find. If you do this, I promise you will focus and feel pressure. These are the type of things that one must do in order to simulate game-like conditions.

5) You’re not testing your changes on the golf course

Ok, you’ve worked on it, and you feel that you have mastered the “new” move that will cure your snap hook… now take it to the course and test it out! There is no better way to see if your no-double-cross swing is working by aiming down the line of trouble and trying to work it away from it. The course is the only place for you to see if you truly have a grasp of the new move, and under pressure on the course is the only way to actually know for sure!

6) Your equipment isn’t truly fit to what you’re trying to do as a player

If you have faulty equipment, then how can you actually know you have eliminated a faulty move or funky shot? Maybe those super-slick grips are causing your grip pressure to increase at address and this is the reason why you tend to swing the club too much to the inside on the way back? Or is it a faulty motion of the forward arm and wrist? If your clubs are not correct, then you will always fight something that might not actually be your issue.

Think about the buddy of yours who has irons that have an incorrect lie angle… how much easier could the game be if they were correct?

7) You don’t have any… goals, practice, evaluation or feedback

I’m sorry, but just swatting balls daily is not the best way to get any better! Have you ever asked yourself “what is today’s goal?” and then “what is the best way to work toward achieving that goal?” Next time you’re at the range, ask yourself those two questions, and then ask yourself how you will measure this and understand the feedback you’re given. Most people do not even think of these things, nor do they have factors in place in order to do so.

To be a better player, like in life, you have to have clear-cut goals in mind, or else you are being sloppy. Remember to take into account the four things above, or you will not improve as rapidly as you’d like!

8) You’re working on mechanics only, not how to score

Yes, you can do either or both in your practice, but don’t get them confused! What is your first objective in a given practice session — making a more consistent motion or lowering your score? Most of the time, they don’t have anything to do with one another.

9) You’re overly focused on the “look,” not the function

Are you too focused on making a perfect swing instead of one that is functionally correct and repetitive? Yes, we’d all like to look as pretty as Adam Scott, but understand that Furyk has a better record — it’s not about beauty, it’s about function at the end of the day.

10) You’re working on your swing with a non-professional

This is one that hits close to home, as I HATE to see people working on the incorrect things on the range, or from their buddy who can’t break 90. It kills me to watch someone working on their exit pattern when their grip or transition is the fault. Please make sure you at least consult with someone who knows more about the game and the swing than you do, and if your thoughts check out, then by all means go at it alone. I’m a big fan of players being self-sufficient, but for every Watson or Trevino who figured it out on their own, there are millions of golfers who screwed themselves up royally doing this.

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